I wont add too much redundancy to what has been said here. MillerCarbon made me chuckle.
But an overlooked fact is that in the majority of cases the volume and balance controls (essentially two sequential attenuators, so the distortions are doubled keep in mind) are one of the most non-linear and distorting parts of the preamp. Most are in fact pretty bad.
In fact, my current design project is a preamp that eliminates traditional volume potentiometers and replaces them with one of two technologies at different price-points, both are substantially better, and both lend themselves to very nice remote control.
Let’s put aside volume control in the digital domain which has an entire raft of issues, but under the right circumstances can be very good. 99.999% of people have never heard those right circumstances.
Your basic volume (or balance) control is a carbon powder strip with a wiper. It is noisy, prone to dust and moisture, and does not track evenly left to right.
The next step up are Noble/ALPS style, which are still carbon powder, but in a plastic carrier. They are smoother, largely sealed and less prone to issues. They are expensive and in doing so track better left to right. They are still very imperfect.
At the top of the food chain are pairs of discrete, precision, metal-film, low noise resistors. You switch in two matched pairs of these for each volume level - maybe 64 pairs. A smaller number suffice for the balance. Stepped attenuators can cost a HUGE amount due to the labor and the 128 position switches, and are large in size, don’t play well with remote control. BUT computers and relays can come save the day ( as i am doing).
In the middle are what boil down to chips with 128 pairs of resistors that can be switched in and out. They are chips resistors, so imperfect, but i speculated that they are better than the lousy alternative. They can be, but if you use them normally or per the data sheet they are truly awful. It took me many weeks to figure out how to us them correctly. (and a really great chip engineer at the fab firm that made me his fun project). These are a little complex but overall can be cost effective in somewhat reasonably priced designs - the biggest cost being yet another very quiet power supply (or else.....).
So, the little things are way more complicated than you might imagine. Now that i have prototypes floating around, i can’t go back.
By the way, switches have their own issues, and a preamp does have an amplification stage. If its a Phono (RIAA) it has a very complicated amplifier with up to 2,000X amplification which makes noise a (expletive omitted) nightmare.
So yea, all you need to do is be perfect and it works great.
But an overlooked fact is that in the majority of cases the volume and balance controls (essentially two sequential attenuators, so the distortions are doubled keep in mind) are one of the most non-linear and distorting parts of the preamp. Most are in fact pretty bad.
In fact, my current design project is a preamp that eliminates traditional volume potentiometers and replaces them with one of two technologies at different price-points, both are substantially better, and both lend themselves to very nice remote control.
Let’s put aside volume control in the digital domain which has an entire raft of issues, but under the right circumstances can be very good. 99.999% of people have never heard those right circumstances.
Your basic volume (or balance) control is a carbon powder strip with a wiper. It is noisy, prone to dust and moisture, and does not track evenly left to right.
The next step up are Noble/ALPS style, which are still carbon powder, but in a plastic carrier. They are smoother, largely sealed and less prone to issues. They are expensive and in doing so track better left to right. They are still very imperfect.
At the top of the food chain are pairs of discrete, precision, metal-film, low noise resistors. You switch in two matched pairs of these for each volume level - maybe 64 pairs. A smaller number suffice for the balance. Stepped attenuators can cost a HUGE amount due to the labor and the 128 position switches, and are large in size, don’t play well with remote control. BUT computers and relays can come save the day ( as i am doing).
In the middle are what boil down to chips with 128 pairs of resistors that can be switched in and out. They are chips resistors, so imperfect, but i speculated that they are better than the lousy alternative. They can be, but if you use them normally or per the data sheet they are truly awful. It took me many weeks to figure out how to us them correctly. (and a really great chip engineer at the fab firm that made me his fun project). These are a little complex but overall can be cost effective in somewhat reasonably priced designs - the biggest cost being yet another very quiet power supply (or else.....).
So, the little things are way more complicated than you might imagine. Now that i have prototypes floating around, i can’t go back.
By the way, switches have their own issues, and a preamp does have an amplification stage. If its a Phono (RIAA) it has a very complicated amplifier with up to 2,000X amplification which makes noise a (expletive omitted) nightmare.
So yea, all you need to do is be perfect and it works great.