"I took the AHB2 along with me for a weekend at our country place, in Connecticut, to see if it would be as successful with my more modest system there. That’s where I discovered that my new hero amp wasn’t quite perfect. Oh, its power and resolution were still not to be faulted, but through a pair of Monitor Audio Silver 8 speakers, the sound was somewhat hard and thin. Could it have had something to do with the Silver 8s themselves?
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Familiar recordings of women’s voices, such as Marianne Beate Kielland singing Finzi’s "Come Away, Death" .. and Sara K.’s cover of "Can’t Stand the Rain" from her Hell or High Water.., sounded strange. Both voices were higher, not in pitch but in tonal range, as if they’d been transformed from mezzo-sopranos (which Kielland is) to sopranos. Again, I would describe it as a loss of warmth and resonance in the fundamentals of their voices. Unfortunately for the AHB2, this loss pervaded the sound of whatever recording I played. I wrote it off as an example of an amp-speaker mismatch."
- Kalman Rubinson
Yep, probably the speakers, despite John Atkinson's assurance that they should be fine. Again, I’m glad that’s all clear as mud.
....
Familiar recordings of women’s voices, such as Marianne Beate Kielland singing Finzi’s "Come Away, Death" .. and Sara K.’s cover of "Can’t Stand the Rain" from her Hell or High Water.., sounded strange. Both voices were higher, not in pitch but in tonal range, as if they’d been transformed from mezzo-sopranos (which Kielland is) to sopranos. Again, I would describe it as a loss of warmth and resonance in the fundamentals of their voices. Unfortunately for the AHB2, this loss pervaded the sound of whatever recording I played. I wrote it off as an example of an amp-speaker mismatch."
- Kalman Rubinson
Yep, probably the speakers, despite John Atkinson's assurance that they should be fine. Again, I’m glad that’s all clear as mud.