If I could afford, I’d purchase 100% Oswald Mills Audio gear


This even without hearing it. The pieces are so beautiful I don’t see how they could not sound fabulous. The Sp10s look like they are built like a tank. I’d even buy their equipment racks. Maybe someday or maybe I’ll purchase something from their sister company Fleetwood sound. 
aberyclark
@mikelavigne You fall into the category of discriminating buyer who dismisses this table based on the ability of the competition. I question as to how many of these manufacturer’s really know who or what the competition is?...and more importantly how it performs. For example, I would acquire the Basis Transcendence in a heart beat before I would consider the new OMA K3....and at a fraction of the price! The Basis holds on to the notes (the recreation of sustain, which BTW has to be on the LP in the first place, and in many cases simply is not) in a far superior manner to any table I have ever heard...including my previous reference for this..the Clearaudio Statement.
I agree with you 100%, performance is the only arbiter to judge these tables by, not aesthetics....although it doesn’t hurt to have both.
i will add that i enthusiastically applaud OMA’s efforts to build their vision of a SOTA turntable. and even admire their road less traveled. i’m glad to be a vinyl lover at a time when these type products exist and that we have the marketplace to sustain them.

i’m betting that the hedge fund whales will have their interior designers spec’ing this new "bauble to have" enough times to keep the OMA fires burning. hard core vinyl lovers? the jury is out. unlikely that 'we' are the target audience.
Agree. The fact that there are still folks willing to try and push the SOTA in high end vinyl is definitely something to be applauded. With the stand that goes along with the OMA, most designers will have an easier job integrating the package into the summer house. 
Mike, have you heard the K3 or are you extrapolating from your vast prior experience as to its sonic character? Also, would you care to mention which of your turntables wins the sustain trophy? I’m guessing it’s a belt drive type.
If you read MF’s review........


Sorry Lewn but here let me disagree.
MF is just a voice among millions of fans, certainly he is not the spokes person for all the audiophiles in the world who says it is true are shared 100% by all.

I gave up believing the personal opinions of journalists or reviewers also because apart from the experience, the ears have become old and the drop at high frequencies is inevitable, so what can reviews that are only personal opinions serve?

The turntable does not convince me, however, also because there are no explanations on the technical reasons and the measurements in the field that dictated the choices for its construction so .... IHMO thumbs down.