@blue-magoo,
Fair enough, but bear in mind that Hi-Fi dealers are rather thin on the ground these days whereas builders and plumbers are not.
Unless it's Christmas, or a Sunday.
Maybe the real problem is that audiophiles are also rather thin on the ground in these difficult days?
Anyway it's pretty important that we either retain brick and mortar dealers, or we still have plenty of shows we can easily attend.
Speaking of which, after 2 years I finally got to go to another audio show.
This time the UK Audio Show was held at the De Vere Staverton Estate near Daventry, some 60 miles north of London.
Highlights for me included the EJ Jordan Marlows. These metal coned bookshelves were driven by a pair of Nagra tape decks. An astonishingly capable and vivid sound for something this unprepossessing.
I'd never heard any Kudos loudspeakers before but the sizeable Titan 707s certainly made up for the wait. A muscular yet tonally expressive sound made for a rare combination. Many large speakers I've heard tend to get somewhat bleached out amidst the dramatics, not the Titans.
The Kerr K320s, now in their 3rd iteration, sounded as masterful as ever. Perched on what looked like some Townsend speaker bars they sounded progressively more like a reference loudspeaker than ever.
The active Monopulse S were also as good as I recalled. If anybody wanted a speaker that could sound great from just their smartphone/tablet/laptop etc (no other amps /sources required) this would be it.
Finally a mention for the unusual looking Vitavox speakers. Not anything that would catch your ear immediately, but after a short time it became increasingly apparent that here was something different.
The sheer absence of any perceived harshness (or grain if you prefer), was very enticing. You really could listen to these for a very, very long time indeed.
They seemed to make other designs sound harsh by comparison. If you ever wanted a speaker to totally eradicate listener fatigue, this might be it.
As a show bonus we got to hear Russell Kaufman of Russell K loudspeakers give a lecture on how he builds loudspeakers from assembling the drive units by ear, then the cabinets, then the crossovers up.
The demonstration included direct comparisons between different drivers, and contrary to what I'd been led to believe, there were quite significant differences between them. The ribbon tweeter in particular, sounded quite different to the dome in this instance.
Many thanks to all concerned, especially the organiser Roy Bird for all of his stirling efforts in overcoming what must be unprecedented levels of difficulty.
The standard seemed unusually high this year, there just didn't seem to be many headache inducing rooms as I've sometimes found in the past. Credit to all those concerned.
There's some good photos up on the HiFi Pig website courtesy of James Starbuck.
https://hifipig.com/uk-audio-show-2021-photos/
Fair enough, but bear in mind that Hi-Fi dealers are rather thin on the ground these days whereas builders and plumbers are not.
Unless it's Christmas, or a Sunday.
Maybe the real problem is that audiophiles are also rather thin on the ground in these difficult days?
Anyway it's pretty important that we either retain brick and mortar dealers, or we still have plenty of shows we can easily attend.
Speaking of which, after 2 years I finally got to go to another audio show.
This time the UK Audio Show was held at the De Vere Staverton Estate near Daventry, some 60 miles north of London.
Highlights for me included the EJ Jordan Marlows. These metal coned bookshelves were driven by a pair of Nagra tape decks. An astonishingly capable and vivid sound for something this unprepossessing.
I'd never heard any Kudos loudspeakers before but the sizeable Titan 707s certainly made up for the wait. A muscular yet tonally expressive sound made for a rare combination. Many large speakers I've heard tend to get somewhat bleached out amidst the dramatics, not the Titans.
The Kerr K320s, now in their 3rd iteration, sounded as masterful as ever. Perched on what looked like some Townsend speaker bars they sounded progressively more like a reference loudspeaker than ever.
The active Monopulse S were also as good as I recalled. If anybody wanted a speaker that could sound great from just their smartphone/tablet/laptop etc (no other amps /sources required) this would be it.
Finally a mention for the unusual looking Vitavox speakers. Not anything that would catch your ear immediately, but after a short time it became increasingly apparent that here was something different.
The sheer absence of any perceived harshness (or grain if you prefer), was very enticing. You really could listen to these for a very, very long time indeed.
They seemed to make other designs sound harsh by comparison. If you ever wanted a speaker to totally eradicate listener fatigue, this might be it.
As a show bonus we got to hear Russell Kaufman of Russell K loudspeakers give a lecture on how he builds loudspeakers from assembling the drive units by ear, then the cabinets, then the crossovers up.
The demonstration included direct comparisons between different drivers, and contrary to what I'd been led to believe, there were quite significant differences between them. The ribbon tweeter in particular, sounded quite different to the dome in this instance.
Many thanks to all concerned, especially the organiser Roy Bird for all of his stirling efforts in overcoming what must be unprecedented levels of difficulty.
The standard seemed unusually high this year, there just didn't seem to be many headache inducing rooms as I've sometimes found in the past. Credit to all those concerned.
There's some good photos up on the HiFi Pig website courtesy of James Starbuck.
https://hifipig.com/uk-audio-show-2021-photos/