A little tube magic?


I’m looking for some ideas and impressions. I’d really like to run tubes for amplification, but my system pulls double duty for music and tv. It is on probably about 8 hours a day for one or the other.  This just seems like to much to me for running tubes. I’m looking for a way to be able to keep my solid state setup but add tubes in a manner I can switch them in and out. I have couple of ideas but I am aware neither is very ideal. 
First I thought I could add a tube preamp or maybe even buffer in the tape loop of my McIntosh C46. I know this will add more complexity for the signal to pas through. I’m not sure if I can expect gains that will be better that what I lose by adding extra cables and components.

My second idea would be to add a tube power amp on some sort of switch, something similar the the Shiit SYS. Which is basically a passive preamp with two inputs and a potentiometer. I’ve read that can use it backwards kind of and have the output be the input and run the two inputs to two different amps and then switch between the two. I would think I’d need two sets of speaker cables to make this work, and switch them back and forth as needed. I’m not really fond of either idea and hope there may be a solution I’m unaware of. I really just want tubes for music and ss for tv if it’s possible.  
A third option would be to get a tube dac for music listening, but I’m unsure if I’ll be able to get the amount of tube sound I’m after. I guess I could see it as part of the solution along with tubes in the pre or power amp as well. 
Any thoughts or ideas would be much appreciated. 
brylandgoodman
Ralph,
Are you shipping your GaN amp?.....if so, what do the customers think?.....and how much is it? Any specs besides 100 watts?
@ricevs 
We are shipping limited production. We posted one customer's comments (which seem pretty typical) on the feedback section of our website. Right now they are priced at 5300/pair.


The amp makes 100 Watts into 8 Ohms and 200 into 4; to that end we are being conservative. It can drive a 4 Ohm load at 200 watts all day long without overheating. The amp has balanced and single-ended inputs. It uses a linear power supply rather than switching. The switching frequency is about 500KHz. Phase shift at 20KHz is less than 1 degree- about the same as our tube amps. The output impedance is about 10milliOhms. The distortion signature is very similar to our OTLs, with the lower ordered harmonics dominating and higher orders falling off with an exponential decay. This allows it a smooth presentation.
I have a Krell system and Thiel CS6 speakers and I had wondered the same thing - would there be any benefit from introducing tubes into the signal chain. I have tried three different options. Here is my experience with each:

Jolida Fox SS-X - I currently have this hooked up to my desktop system but I originally bought it for my full rig. First of all, it is not subtle. You either like what it does or you don't but at least in my system it has an unmistakable sonic signature. I pretty quickly decided that I didn't like it and I moved it to my desktop system where it works really well. The soundstage control is very nice with nearfield listening and the tube effect compliments this system (Denon integrated, Polk desktop speakers, Topping D50s DAC).  I've put it back in my main system a few times and I always came away with the observation that it is interesting but it reduces the definition in the bass and it adds some darkness to the lower treble which aren't complimentary to the sound. In my desktop system it's just what the doctor ordered.

Yaqin SD CD-3 Tube Buffer - I use this in the tape loop of my Krell KRC-2 preamp (amp is a KSA 300S). Unlike the Jolida, the effect of this unit is very subtle. It's easy to switch it in and out of the signal path and it took me a while to detect any difference. The best way I can describe the effect is that it adds a little sparkle to the high frequencies. I like the effect (it certainly does no harm in my system) and I leave it in the signal path all the time. I bought a pair of fancy tubes but I haven't rolled them yet.

Black Ice (Jolida) Glass FX Tube DAC III W - A similar unit won a listening competition in Arizona against a bunch of well reviewed DACS and for the price ($700) I decided to give it a chance. I have a PSA PerfectWave MkII DAC, a PSA PW Transport, a Marantz SA 8005 (SACD) and a Krell CD 250/2 (HDCD) player, and a vintage Resolution Audio DAC (HDCD). My experience is that the SQ difference between modern DACS and players is pretty subtle and the Glass FX fits that pattern. Three of my units (PW MK II DAC, SA 8005 player, and Glass FX) sound so similar that I would have trouble telling them apart in a blind test. Depending on the recording, I think I can hear a little better soundstage depth and articulation with the Glass FX but it's something you really have to listen for. I also bought a pair of fancy tubes for this unit and I haven't tried them yet.

My recommendation would be to play around with some inexpensive alternatives before dropping a lot of money on a tube preamp. You can also pick up an older unit like a ARC preamp that is known to have an obvious tube character and see if you like it.
Ralph,
Great news.  I bet you are going to sell a lot of them.  Does the product have a name or number?  When will it have a page on your website with pics?  What is the gain and input impedance?  Thanks,  good luck.
Ric
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