High Fidelity Sound Speaker


Here is what I call High Fidelity Sound.
Sorry if you have issues making a  determination

**Ohh YT compression,,,ohh comp speakers can reveal the actual in room listening experience,,,, cheap cam micing...**
WEll I can.
This is probably the very finest sound I've ever herad froma  spaker.
Thing is, fouund this video while continuing my research on my next speaker build
Fostex Sigma 8 + Fostex Sigma 4 
The Sigma 4 is in this video.
No doubt,  and now i understand what you guys were getting at about **The whizzer thing** making unwanted resonances.
Got it
Agree.
No whizzer.
Project should be up by may 2022.
Going to sell the DLVX8
TB2145 Good
DLVX8 Better
Fostex Sigma 8 The Best

I'd like to see any xover type design beat out this Fostex Sigma 106. 

https://www.youtube.com/watch?v=7mYuHTpu_9M

mozartfan

So now I have my friends FX250 SET amp,, with pure colbalt out trans,,, I understand what the **Linear SET magic** is all about,,

 In most light jazz quartets, classical chamber,,SETs + FR offer a  sublime sound image which xover type speakers and PP amps can not match 

Sorry, just can;t

 

However,, when it comes down to it I'll take a  good PP amp overa  SET,,I need the dynamics. 

Besides my FR always hasa  nice linera sound stage. 

But witha  ultra linera SET + Linear FR,,= wow factor pure sublime, music just listly floats across the room, light and magical.

.

Again I need a  PP amp, as i need a  speaker assist with my music.

Midwoofers going to 1400hz++ and a  tweeter 5khz = 15k+hz

So  when you add up dual W18's + tweeter + FR,, ohm load is now right near 2 ohms.. which makes it hard for a SET amp to be happy.

 

Just some random thoughts I'd share as to whats going on in my system,,,, W6 FR on the way, Gonna throw that into the  mix.

 

SET + a  High End  FR = super high LINEAR FIDELITY

Only light jazz, chamber classical.

But like WOWWWW, 

The music just floats magically across the room, speakers do NOT exist,

Its like the music and you, nada mas.

Unreal

My techs FX250 tube amp that he builds like pure 100% colbalt trans (sorry, dont make colbalt trans any longer OOS), he just made a  small repair on his amp, and like WOW..

One cap,  solder bad, and wow, magical.

 

Now I know what the SET fans are speaking of.

Its something you have to experience, words will not describe the experience.

My DLVX6 is now in Miami Airport, DHL has it.

Can't wait😀

mozartfan,

Why don't you just keep a diary? You would get about as many responses.

Bi amp?

That is if you need dynamics for move involved/complex music, big jazz bands, big orch,, you might think about biamping..

I am staying with  the Defy7, which can drive the low ohm load.

I give up the smooth pure linearity of a  SET, but I have no worries pushing heavy ohm load with my Defy7 PP amplifier. ..

 

 

Just listening to Webern/Boulez/Sony

via UX250 SET amp, designed built by our local tech here in New Orleans

wow factor high with pure colblat out trans.

I decided to ck bass response on the DLVX8 along with a  1970's Philips AD163 tweeter. 

Some light jazz Sophie Milman,, 

Jazz fans take note. 

You owe it to yourself to hear a  higher end FR speaker + SET amplifier.

I am not missing any bass response.

Its all there.

IN order to lighten the ohm load on the Defy, I'm most likely going to retire the W18's, and just depend on the dual FR for bass respose.

xover style speakers are not going to deliver the smooth musical (= magical)  image that only a  higher end FR can deliver.

Not sure how or why we all got so carried away with the xover style speakers.

Anyone know?

Propaganda? Advertisments?

Just follow the crowds? 

Anyone have the answer, please share.

Perhaps because the higher  end FR have not been out very long, 

Only in the past 10 yrs have these drivers come into high fidelity. 

WEll i am here to tell you you really have no idea what you are missing.

Nuances galore