High Fidelity Sound Speaker

@mozartfan.....I've watched about 10 of your videos now (it's either that or tune in another "Big Bang" episode for the umpteenth time) and for all the railing on you do about only listening to CM, I have yet to see a single CM jewel case perched on your system nor have I heard you cue up the first CM cut.

@acresverde  - CM? Country Music? Me? I listen to both kinds of music... Country and Western... :~)

Good point acresverde.

@mozartfan.....I’ve watched about 10 of your videos now (it’s either that or tune in another "Big Bang" episode for the umpteenth time) and for all the railing on you do about only listening to CM, I have yet to see a single CM jewel case perched on your system nor have I heard you cue up the first CM cut

~~~~~~~~~~~~~~~~~~~~~~~ Hey yeah well, there are reason(s) I stay mainly with jazz, Diana Krall, Sophie Milman, gatemouth Brown a few others, and yes skip CM. Although I listen exclusively to CM (Is Schnittke, Carter, Pettersson CM.. ?? not really) I do have 1 EllioTT Carter piece with Timpini, to show off bass response. Its somewhere in my stack of videos, .. Listened to Anton Webern, UX250 (aka 50) tube SET amplifier/Cobalt trans((WOW),, pure linear magic,, like music from outer space, as if music w/o gravational pull, as if music fluttering through dark matter of space the nots as bits of light streaming through the inner mind of consciousness. A few reasons I skip CM is 1) most members are mainly interested in jazz, and blues. 2) most jazz recordings have fantastic quality sound reproduction, This allows to hear what the speaker is actually capable of. Flaws become more clearly identifable, noticable. So yeah once the 2A3 amp arrives in 2 weeks, maybe we can hear a CM recording, something like Schnittke w chorus/orchestra. BIS has some high tech micing and excellent quality, where you get to hear what a FR can do with more complex music. Hopefully the 2A3 will offer a tad better response in complex music. Seems the more complex the music (orch/chorus) the more overlaod ona 6 watt SET. You lose some of the pure linear magic of a SET, bass /highs tend to be even more rolled off. Which is why I am looking at some other speakers in bass assist, single 8 inch magnesium by JBL, only avalaible on DavidLouis site and his Seas clone of the Millennium which I sold off.

As I’ve mentioned often, the FR (aka Full Midrange Speaker aka FMS) is not end all be all, you will need assist to make for a more well rounded, full/richer soundstage. The DIYers tag this design as WAW, or something like that. But my dual FMS ,, no one has come up with a tag yet. And the DIYers have given my idea 2 big thumbs down. They think its a *joke* of a speaker. And so have banned me from further posting on THEIR forum.

No big deal, I ;’ll always have Audiogon. wink

 Country 

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OK CM  could mean Country Music,  some of which is pretty good. 

I've found country not best for my demo YT ulploads, It can be noisey at times.

I prefer Diana Krall, Sophie Milman, Elvis Costello/Bacharach Painted Memories. , Gatemouth Brown for more complex, driving rythums. 

In these recordings you get a  chance to hear soundstage separation, bass/highs,  human voice. Bass rifts.

If a  speaker has any flaw, it will show up in higher relief with these cds than I can with lower fidelity classical music.