Room Treaments - Where To Begin...


Hi All: I have read countless comments that the best thing you can do to improve the listening experience is to acoustically treat the room. But where does one gain the expertise to do so? There are so many products/options out there. I have no clue where to begin (or if I even need to do it)... Thanks!

gnoworyta

Room Treaments - Where To Begin...

Beginning is not at placing acoustic panels or analysis of room characteristics. First thing you need to do is to seal all possible acoustic leaks. Imagine that your room is the vessel filled with water, then try to understand where the water could leaked out of the vessel, find that leaking spots and seal it as good as you can…we talking about AC or water pipes walls entering points, cables or electric outlets, windows and doors gaps etc.

OP: I have read countless comments that the best thing you can do to improve the listening experience is to acoustically treat the room. But where does one gain the expertise to do so? There are so many products/options out there. I have no clue where to begin (or if I even need to do it)

Already told you how to gain the expertise: clap and listen. Use your ears. That simple.

What I left out is you don’t even need to do that. By far the best thing you can do is simply fine tune your speaker placement. By fine tune I mean use a tape measure to get them precisely symmetrical and equidistant. Next take everything apart, clean all the contacts, and when reconnecting this time take care to route all the wires keeping them away from all the other wires, and off the floor, and for that matter off of everything. No more tangles of wires right on top of each other.

A big reason so many audiophiles think the room is important is because they haven’t isolated anything and so are transmitting a huge amount of speaker energy straight into the floor, walls and ceiling. If you energize every surface of your room this way then of course your room is gonna be a huge problem. Duh. Effectively isolate your speakers and other components on Nobsound springs and this will eliminate a lot of that. More and more are catching on.

Between the clap test and the tape measure and the springs you will have spent an afternoon and about $100 and achieved results that with GIK would take $1500 and 3 months. Also you would have learned an incredible lot about sound, vs learning how to stick expensive panels on a wall. 

millercarbon:

Appreciate your insight. Excuse my lack of knowledge, but if my speakers (Spendor D9.2) are base spiked to carpet, aren't they already effectively isolated?

 

Thanks

 

Textbook RT60 for a mastering control room, mostly accomplished with natural treatments, a bit of hidden in art absorbers, etc.. 

But first a question (s ) to the OP about your tastes, what is your resident orchestra and where are your preferred seats in the hall ? Have you heard your Spendor in a better room or system ? what does it do that yours does not ? Congrats on the Spendor BTW, most excellent.