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How to get the impact of a live concert?

Yes, I know, big speakers, lots of power. : ) But I really am looking to "feel" the dynamics of the music, like you would at a concert. I'm not only talking about bass, although that is certainly a part of it. My wife and I were at Dave Matthews Band concert last night and it always amazes me, how impactful music is when it's live. Obviously, I understand they have a LOT of power driving a LOT of speakers, but they were filling the whole outdoors (outside venue). I'm only trying to fill my listening room. Would a good sub help? Different speakers?

I currently have Gallo Reference 3.1's and Klipchs Forte II's (Crites mods) driven by a Musical Fidelity Nu-Vista M3.
ecruz
atmasphere's avatar
atmasphere
11,936 posts
 
Here you go:

http://www.audioasylum.com/audio/general/messages/62/627320.html

One thing not mentioned in that thread is the in 80% of all audiophile conversation, the word 'dynamics' can be effectively replaced by the word 'distortion' without changing the meaning of the conversation.

This is because most audio circuits make some odd-ordered harmonic distortion, and the ear uses odd-ordered harmonics to determine how loud a sound is.
wolf_garcia
6,726 posts
 
Dynamics are simply the perception of loud and soft relative to each other as perceived by the listener. The ear uses the relative difference between sounds to determine "loudness" and that has zero to do with harmonics.
onhwy61's avatar
onhwy61
5,252 posts
 
Agree with Atmashpere, disagree with Wolf garcia. Adding distortion components absolutely increases apparent volume. Not sure about the odd vs. even harmonics.
agear
1,362 posts
 
Thanks for the thread Ralph.

and that most elusive part--a sort of baseline energy in the room even during the silent passages.

This is the substance of it. Nicely described....
wolf_garcia
6,726 posts
 
Music is only composed of harmonic content so yeah...but I don't think distortion necessarily increases perceived loudness. Example: I can play electric guitar cleanly or with various types and degrees of distortion (ss stompbox FET or Mosfet, or amp tube overdrive) and keep the loudness the same, and the level sounds the same...doesn't cut through a mix any more or less. Also, "loud and clean" can be perceived as louder since nothing is compressed...distorted tone will get lost in the mix easier. I might be wrong, but this is what I've experienced as a guitar player and live sound mixer for decades...If I'm mistaken please deduct 6 points from my score.
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