As for the 12" Arm I referred to it, as there are commonly seen configurations using a arm of this length on a Two Tonearm Plinth Design.
I am not an owner of 12" Arm but do listen to them. I have listened to the SME V/12" on quite a few occasions prior to Coved, there is a Glanz 12" Model I regularly encounter with a Miyajima Cartridge.
Again I have never detected at any time a difference that is perceivable as a separation between a 9" in use and a 12" in use.
The enjoyment factor during the replays is parity for me when both length arms are in use.
Another friend who extremely analytical as a listener and in their Mechanical / Electronic Engineering approach, is assisting with rethink designs for a known Tonearm Producer and is the assembler and Tuner of the Brands Top of Range Models, along with being the EE, for the Brands next range of Phonostages. This friend has recently gone to using a 12" version of a rethought out design for the one in use, and this has now elevated itself, as the main used Tonearm in my friends system. I am yet to receive a demonstration of this new addition to their system.
The individuals I regularly speak to, who produce their own versions of Tonearms and are much more technically minded than myself, have not convinced me during my inquiries, a 12" Model will be a significant improvement. I am not convinced these individuals will be offering a option on a 12" design for their creations.
Again others might feel much more support for the design is merited and be more encouraging in the idea of choosing the length as a model.
CLD is a heavily debated method and has quite a few methods regularly seen that is not exactly CLD.
If you want to be guided to good CLD Construction advice supported with measurements for the works created, let me know and I will PM information on how to access it.