Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan

Pani, Which version of "Nantais Lenco" do you own?  I used to own one, too, and I used to follow Jean's meanderings on various websites.  He was or is constantly upgrading his ideas on how to improve the base table, so his work has a temporal quality to its quality. Mine was in a massive plywood plinth (I'd guess 50 to 75 lbs total weight) with the OEM Lenco metal chassis bolted directly into the plywood to dampen it.  Then I entered my "slate phase", in the early 2000s, and this led to my selling the Nantais Lenco.  I found an NOS Lenco and harvested only its motor, idler wheel, and platter.  I had a slate plinth cut for me and I mounted the motor on a PTP top plate, made by Peter Reinders, who is also a boon to Lenco-lovers.  The PTP is bolted firmly to the slate surface. I purchased a huge bearing from a guy in England, and I had the platter spray painted with a dampening paint, plus I took a cue from Win Tinnon and further dampened the platter with O-rings straddling the circumference,.  My slate slab weighs about 65 lbs. I did not try to devise a removable tonearm mount, so I use only surface mounted tonearms on the Lenco, specifically a Dynavector DV505.  The piece de la resistance was the addition of a Phoenix Engineering motor controller and Roadrunner.  I am not one to make definitive statements about one TT being better than another of my TTs, but this Lenco competes in every way with anything else I own.

I apologize for the question, because it is an obvious one, but in your comparisons among the tables you mention, were you using the same tonearm and cartridge in all cases, or even in some cases?  Thanks.

@lewm : " were you using the same tonearm and cartridge in all cases, or even in some cases? "

 

That same question was already posted and till now he does not gives an answer. Well it’s his privilege answer or not but with out that answer his evaluation means almost " nothing ".

@dover  carmelli is a seller/ manufacturer and totally biased, only what he has on sale works as no other items.

R.

Dear friends @dover  : " the Technics as a toy in comparison to the others..."

 

As you and from over 40 years ago japanese audiophiles have a fascination for heavy weigth TT units as more heavy thde better and normally all those heavy items are BD designs. Your unit as the American Sound are ones of the heavy ones and don't forget the today TechDas/Micro Seiki top of the line: heavy gold and silver everywhere. As I said a fascination for the " eyes " and even in rest position any one can say when looking at: Wow  and stupid wow because heavy mass in rest is ok but heavy mass on play develops internal vibrations/resonances as any body in motion it does not matters how heavy it's.

 

Other significant issue is that japanese are more or less accustomed to tubes electronics, exactly like you, and with tubes every thing can goes " wrong ".

 

Yes, the vintage DD unit as Technics looks only looks as toy against those dinosaurs.

 

The Technics like is a Porch 911 and your heavy weigths units that several of you are in love with are like a Linconl Capri or a Bodeville or Cadillac De Ville.

I don't like tubes and certainly dinosaurus and Boneville cars.

 

Nothing wrong with what you  all like, it's your privilege as mine.

 

R.