Least Expensive Power Conditioner/Surge Protector That Won't Worsen Sound

@adasdad But I'm wondering if you could elaborate as to what you heard regarding the difference between the two. I understand how they're marketed, but in terms of rubber meeting the road, what differences did you hear, if you articulate them.

By the way,  I thought I read that Garth did design the PQ2 and 3 as well. 

I can say this much that thus far, after a few days, that the images, running through the Panamax m5400-pm, are clearly less juicy. This may improve with break-in. I wouldn't be happy if it stayed at this sound quality.

@buddyboy1, to my understanding there is no difference structurally between the old Niagara 1200 and what is on the AudioQuest website now other than AudioQuest having raised its prices this year. 

@analogj, I appreciate the question. To give you a short answer there isn’t anything or difference that you’re going to be able to hear because a good power cord and conditioner doesn’t add anything. All it does is take away RFI and EMI that will hinder your ability to enjoy recorded music. Here’s a link to a short YouTube video where Garth Powell explains the necessity of having a good power cable. Just search Garth Powell AudioQuest and he’s got several very in-depth and detailed videos where he explains much better than I can the science behind how he designs power conditioners and cables for AudioQuest. 

@adasdad So what you/he are suggesting that only the power cord affects the sound quality? I can absolutely attest to that power cords can vastly improve the sound of a piece of equipment. But is the grayness of the tonal color I'm hearing using the Panamax only related to the power cord I'm using? I'm unable to use the Panamax with the Shunyata Python Alpha cord I use with the Hydra. The receptacle in the back of the PM is too small for the Python Alpha cord.

it probably makes sense to try (take for a couple of days) something from Furman products ... or find a studio isolation transformer