Duelund conversion to DIY Helix Geometry Cabling

That's pretty much what I settled on, although I added a little time due to the gauge of the double/double.

While building these cables, which is about the 4th set of cables I have made using KLE RCAs, I finally found a pretty good method of terminating them.

I tinned the wires after twisting them together and then filed the end of the tinned wires into a male point with a taper that matched that of the female "V" of the KLE tabs.  I then tinned the bare part of the wires that were filed as well as the "V" on the RCA.  Then, I used my soldering "helping hands" to hold both pieces and used the arms of the helping hands to apply pressure to the pieces, pushing them together, and then soldered as usual.  I feel that applying pressure pushes the wire into contact with the "V" during soldering, making the two parts physically touch each other, resulting in a better connection.

Steve,

Not sure what you mean by "this orientation"

• are your referring to the rwo stranded live and neutral wires
• or the bare wire inside teflon tube ?

I was referring to the first one. Two stranded L/N wires.

Also with speaker cables. I used to always twist in the same direction. Tried several with opposite twist and continue to do this now.   Can't confirm that is does make a difference...

Marty

@mbolek  - This goes back to the days when I used stranded wire for both neutral and live/signal wires

I'm not so sure it is still applicable to cables that now use solid wires for the Live/Signal conductors

Regards

@mbolek The Threads been quiet for a while, I have a question for you.

Did you receive your PC CCC  Wire Order?

If yes, has it been used and you have formed an assessment of it.

I have now been able to have been demonstrated the wire in use, from Source to Speaker on a friends system who I introduced to the wire.

The Vinyl LP as a Source on my friends system, now has developed to the wire being in use as an internal Tonearm Cable, Interconnects with Selected Low Eddy Connections on the Cables and Phonostage Chassis, Internal Phonostage Hook Up wire and the Power Cord, the Speaker Cables are also using the same wire.

This is a system I am very familiar with, and when presented as the system owner had wanted it to be heard, it was without doubt, the best I have ever heard this system.

I was gobsmacked at how a Cable that sounded very good when demonstrated, was shown to be presenting as quite inferior when compared to the same Cable ng with a different RCA Connector, especially a RCA selected for the Low Eddy Properties. This is indescribable and is needed to be experienced.

When the exchanges were carried out, the Low Eddy Signal Path was able to present Notes and Vocals with a Envelope Shaping, in a manner I don't ever recall being able to perceive.

The system owner has also made it known, the wire has created such a positive impression, if the wire could be discovered to be purchased in a gauge to suit a MC Coil, they would send a Ortofon Cart' away as a Donor Cart', to a rebuild service, to have the Aucurum Wire replaced with it. That is quite a serious move toward this wire type in anybody's assessment. 

The wire is available in very fine gauge 0.03mm as a Screening Mesh, but is only found in assembled cables, a 0.18mm is the finest I know of in a stranded wire. 

Finally received the Acoustic Revive PC CCC.  I'll look at building a Helix based XLR and see how it compares to one of Steve's variations.  I don't think I strip off the insulation and just pull the conductors apart and do a simple twist for +/- signal. Ground using the Helix wrap.  Will use AECO XLRs.

Each conductor is 19awg, so don't know if this one would be a good candidate for speaker cables.  

@mbolek I look forward to your report on the usage of the wire.