Dear @mikelavigne : "" the FCL is doing things that no other arm can do. ""
That’s a serious statement, so I would like to ask: like what things?
Thank’s in advance.
tonight i’m bringing out some of my big classical guns to really test the mettle of the FCL. and i am blown away.
https://elusivedisc.com/grieg-peer-gynt-numbered-limited-edition-180g-45rpm-2lp/
this thing is so fast, crazy unimaginably fast. and it does not break a sweat even a little. for the last 90 minutes i’ve sampled some formidable pressings i had solid aural memories of, and those memories have been laid to waste. a caution......since i cannot switch inputs i’ve not tried my other arms and cartridges without unplugging phono cables, so no A/B’s for now. therefore; i reserve the right to walk this back later when i get around to trying my other choices.
why would the FCL be so fast? i’m not good at ’why’. in my mind i can connect the dots and reason that a field coil assisted uni-pivot bearing has an advantage of a powered magnetic field with zero mass assisting the bearing performance. how could any mechanical bearing or air bearing be as ’fast’ to allow the stylus to maneuver in the groove as a powered magnetic field? so that’s my very non techie mind’s rationalization/theory of what my ears are telling me. but it might not work that way.
what do i mean by fast? i’m hearing considerably more information, while i’m also hearing a more human and real presentation. with greater fine texture, tonal harmonic complexity and timbre, all the while more grainless and with more ease and flow. like it’s technically so superior that it’s just cruising. not even approaching it’s headroom of performance.
hope that makes sense. i don’t really know what is responsible for the performance, or even if ’fast’ is the right descriptor to use.