Fantastic, more food for thought, Jay. Back to the source components as most critical. First, the purity of the recording. Then the preamp, which the Boulder 3010 seems to offer the BEST clarity/transparency. The 3010 seems to be the closest to the holy grail ideal of a straight wire with gain. If there is more distortion in the early stages, then the perfect power amp will just amplify the garbage. So I predict that the 3010 + your other amps will be better than the 2110 with the Boulder amp. But if the other amp is quite euphonic and subtracts lots of detail (Constellation, Luxman, D'agostino, Pass), maybe not. But with fairly neutral amps like the small Gryphon, Simaudio, the 3010 will be better than 2110 and Boulder amp.
All this will be even more eye-opening with your Kronos TT with especially the Lyra Atlas SL as likely the finest source for at least clarity/resolution. Your system is at the highest level where each change results in even more dramatic improvements. This is why I changed my mind and recommended you spend the extra money on the finest cartridge you can find. If you feel that the $140K is well worth the money for the improvements from the 3010, then much less money spent on the best cartridge will be worth it. You will probably sell the 2110 preamp, which will give you plenty of cash to get a buffet of great cartridges which you will appreciate, plus get a great LP collection.
Looking forward to your next video on more insights about the differences between the 2110 and 3010 preamps. Well done!