I might be in over my head on this, and I really don’t know how Krell actually manages this, but I can imagine that if there was an opto-coupler at the amps input it could possibly alter the bias faster than the speed of sound and closer to the speed of light to adapt the output accordingly.
If Krell uses digital manipulation to accomplish this, there might be an issue of close proximity of digital noise contaminating the analog signal,
I am curilous to know how Krell actually does accomplish this.