Class D Amplification Announcement


After 60 some odd years of disappointment, Class D has finally arrived. As per The Absolute Sound’s Jonathan Valin, the Borrenson-designed Aavik P-580 amp “is the first Class D amplifier I can recommend without the usual reservations. …the P-580 does not have the usual digital-like upper-mid/lower-treble glare or brick wall-like top-octave cut-off that Class D amps of the past have evinced.”

Past designers of Class D and audiophiles, rejoice; Michael Borrenson has finally realized the potential of Class D.

psag

Look, you guys are spending a lot of time, effort, and money trying to find out which class D amp is worth listening to, and I appreciate that, but Jonathan Valin has already done all the important work for you.  As he said in the most recent issue of TAS, the Aavik P-580 is the FIRST class D amp that, in his HUGE experience, is worth listening to!  So rejoice, start saving, and then go out and get one!

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Following on from @jjss49 's post, I agree completely with what he says.  For a good number of years I owned a Cary 300B-based SET amp, and no, no solid-state amp (be it A, A/B, D or whatever) can produce certain sonic attributes that it can.  That being said, the AGD does things that a 11-watt SET amp cannot.  The Tempo (slightly more powerful than the Audions) is hooked up to Harbeth 40.2's.  The other night I put on a CD of Bax's Symphony no. 3.  There are some thunderous bass passages, and this was the best I've heard from any system I've had in-house.  I'm more than happy with some quality 12AU7's in the signal path, but you could go 6SN7 or there are even a few preamps that use 300Bs.

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I run my AGD Audios with an Atma-Sphere MP-1 preamp. 6SN7s and 12AT7s fir phono.