Dear @dover : He already did it in this thread and in the cartridge loading one too. I can't understand why came here again with the same topic but is up to him:
R.
Added an SUT...not sure I understood this
I just added a Denon AU-320 step-up transformer in between my AT-OC9XML cart and my ARC SP-14 preamp. I am glad that the (relatively quiet) hum that had been present before is now gone...and I mean gone...since that was what motivated me to add an SUT.
However:
I sort of expected that I would also experience a noticeable increase in gain. Specifically, using the 40-ohm (10X) tap, I would have expected maybe a 6-8 dB increase in volume, and more with the 3 ohm tap. I am not hearing that, and in fact am getting the opposite effect. This means I actually have to peg the volume control if I want to achieve 95 dB levels at my listening position, something I rarely, but still occasionally, do.
Also, I removed the 22-ohm loading resistor upon connecting the SUT. I noticed previously that a 40-ohm loading still had the cart sounding pretty bright. But with no loading and using the 40-ohm tap, things sound natural. I sort of expected I was going to need to add a 40-ohm resistor (at the tonearm) to achieve the same loading.
All of this confuses me; I'm happy so far with the sound yet perplexed. Perhaps some good Samaritan here will be able to explain why I am hearing what I am hearing. in the meantime, I'm just going to enjoy my quieter background.
Dear @dover : He already did it in this thread and in the cartridge loading one too. I can't understand why came here again with the same topic but is up to him:
R. |
They know that the designer of the phono preamp may not have taken the RFI generated by the cartridge and tonearm cable into account. The 100 Ohm resistor detunes the resonance that they create and so prevents RFI from messing with the preamp.
The maximum output of the cartridge will be with little or no load. 47K is the industry standard in this regard and qualifies in this regard. |
the industry standard of 47kΩ was adopted from the MM cartridge world and applied to the MC realm because is first and foremost "does no harm".... until you throw a SUT into the mix that is. Once a SUT is added the load the cartridge can see can get vanishingly low to the point where you actually start losing gain as you increase turns ratio. My best guess is that the min load value specified for a cartridge is a value that still assures nearly full specified cartridge output and has little or nothing to do with the sonic behavior of the cartridge. What I want to know is why the minimum load value that has to be strictly adhered to in the case of a traditional phono stage can be completely ignored in the specific case of the MCCI with a published input impedance of <3Ω. This is completely ON topic since it relates directly to the OP's insistance that a 20Ω load sounds best on his AT-OC9XML. dave
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Obviously you haven't got a clue so I'll explain it to you - actually here's a quote from JCarr
In other words comparing the resistive load in a current mode mc input to the the resistive load in a voltage gain mc input is like comparing apples and oranges. If you cant understand what JCarr wrote, and don't understand the difference between voltage and current then I cant help you any further. |
JCarr makes the exact point I am ultimately trying to get to when he says the below.
I don't necessarily agree with his use of the term "forced" but that is for another day. He attributes "part of the reason" for the difference in sound to the load the cartridge sees and I fully agree with that thought. Since this branch of the topic is about the load the cartridge sees and not how that load is obtained, discussing the difference between current and voltage amps is not at issue. It just so happens that a current amp gives an extreme example of "non-traditional" loading. A cartridge is a two terminal device that sees a two terminal load downstream. It doesn't know or care what form of amplification that load takes, it just does what the load tells it to do. dave
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