Tube PHONO preamp interference - RFI, EMI, bad grounding?


Hello!

My tube phono is picking up interference most probably from the air. It's EAR yoshino 834p, using three 12AX7 tubes. It's sounds pretty amazing and I willing to try everything to keep it. 

Here is a sample of the sound - 

 

The rest of the setup is ARC LS16 mk1, Classe CA200, Chord Qutest, Technics SL1200 with Nagaoka MP200, Tannoys D700

I have tried many things already -

- grounding the phono to the preamp, grounding the phono to a socket, covering the phono with a pot, saucepan - no change

-plugging the phono preamp alone into an integrated (Bryston B60) and removing other stuff.

- the important part is I have taken the phono to two other places and it worked perfectly fine, even with the cheapes cables.

- I haven't had any problems with previous phono preamps which were all solid state. 

- if I unplug the turntable the signal fades to about 50%

- if I try different RCA cables, there's not much of a change even they are shielded (audioquest mackenzie, supra etc.)

- the signal also fades when I grab the cables. Also works if I grab or squeeze the output cables. 

- I have tried to wrap the cables into aluminum foil, I have noticed a difference but it's still unlistenable.

- I have tried pluging in a 5 meters long RCA output cable and walked with the phono preamp around the room. It's simply like carrying an antenna. Placing the phono on the floor helps but again, the interference is still present. 

 

Do you have any suggestions what else to try? Is there some kind of grounding that would prevent the phono preamp acting like an antenna? 

I haven't tried a new set of tubes yet. 

I think the 12AX7 are simply too sensitive to all the mess in the air. The ARC LS16 preamp was catching the same signal very quietly when I took it's cover of. 

Thanks!

Filip

128x128filipm

@ejb14 

These had to be replaced. R16 died, the others were replaced along with it. 

It stopped working for a while as I was experimenting with it. 

I'm thinking of sending it to the factory, at least I will write them again with a suggestion.

@dpop I have also tried RCA only interconnects with two of these chains. For example Bryston B60 doesn't have XLR inputs. Now I'm only using XLR between a preamp and a power amp. 

33 ohms were measured on the EAR's phono ground pin or any screw (chassis) and the ground pin on the inlet. All the other solid state phono stages worked fine. Maybe except a Primare R15, there was a pretty loud surface noise, kind of like white noise. 

I always thought it was a subjective point of view, my girlfriend keeps telling me I only keep analyzing the system (of course when I'm not happy with the sound). Nevertheless I always had a feeling there's not enough juice in it, specially with the Bryston B60, it wasn't stable, sounded weak or lean sometimes. I was always surprised when I took the amp elsewhere. 

What else can we measure on the AC line when an electrician comes over? 

There's a simple voltmeter on the power conditioner I'm using for the sources. It shows some drops time to time, it's usually around 228-229V but it goes down to 225. If we find out the AC line is horribly dirty and unstable, is a power plant good idea? Something like PS Audio PP12 (I'm just a bit confused now, I have seen some measurement that suggest it's an overpriced piece of crap and I'm being told to stay away from power conditioning)

 

 

So to be 100% sure Filip, while in your apartment, using a SS phono stage (for example, the CP60), and the turntable connected *to the* CP60, the noise goes completely away? Is that correct?  

if so, I kind of agree with audphile1: At this point, the cure is worse than the disease. Dump this phono pre-amp and get one that’s properly designed to not be susceptible to this type of interference, at least within your setup (or simply use the CP60's TT preamp, if that is quiet). Seriously. You’re going to drive yourself nucking futs.

It's almost guaranteed that spending lots of money on parts (different RCA cables, ferrite cores, heavily shielded AC cables, new tubes, tube shields, etc.) is not going to fix this EAR issue. It's either a grounding problem (which I can't seem to diagnose via this thread), or it's an EAR design issue (the EAR can't filter and repel the high amount of interference in your apartment). You also mention that some components have already been replaced in the EAR. I'm wondering why they failed in the first place? That's not typical of (and very rare IMO), of audio gear, and in a way, sends up an immediate red flag for me.  

 

@filipm R16 could have been sacrificed due to a bad tube - which can happen in any tube gear - if that was the case be happy that was the only thing that died.

But - dpop and audiophile1 are correct - this is more of a puzzle than searching for that best sound. The EAR has quite the reputation, but if you just want fantastic sound and not this hassle, you might want to consider an alternate route.

For me, it’s both as I love a good puzzle and great sound. I will add that is seems to be similar for a lot of the folks over at audiokarma dot org - they have quite a few posts on building EAR clones over there, and so far us audiogoner’s here have not been able to solve this. They helped me through a number of puzzles in the past.

Back to your problem. It’s possible you have a combination of a power issue in your place and the EAR is not dealing well with it, potentially due to near failing components. If power is the issue the power company must fix it. But if they cannot, I’ve no personal experience on what you need to do. I would research double-conversion power units - (AC to DC to AC) with a complete separation from the AC power; I believe there some out there are running their audio completely on these things, but I think it has to be complete - no component can be plugged into the wall or your risk a ground loop issue again - so big and expensive. Make sure you can return it if it does not work for you.

On the EAR, given that you had to replace some parts already, best to replace all those electrolytic capacitors as well. I think the EAR came out in the late 90’s, and if this is an original unit, those electrolytic’s in the power supply especially may be near end of life. They are cheap and easy to replace. Just make sure to find units with the same capacitance with same voltage rating or higher and similar dimensions. Nichicon, United Chemicon 105+C caps would be good for the power supply. I would also while you are there reflow all the solder joints on the boards. Takes less time than you think, and that way you are assured there are no bad joints.

When you replaced those film capacitors, did you use new ones of the same capacitance and voltage? The voltage could be higher, but I believe the capacitance value needs to be exact or near exact or it could negatively affect the circuit. For R16, - same - did you use the exact same resistance and wattage value? I think higher wattage would be ok though, especially if the old one burned out for an unknown reason.

One other thing - I noticed the step-up transformers in your EAR - does pressing the MC/MM switch have any effect on the noise with the shorting plugs on? If so that may be your ground issue there - reflow the solder!

 

@filipm I didn't see that R16 was in the power supply before between the filter caps - should have looked more closely. Not sure what would cause that to fail, but I wouldn't be surprised if it was dirty power (in truth I don't know). In any event, I think that even more supports the thought that you should replace all the electrolytic capacitors in the power supply section and reflow all the solder there as who knows what else would have been affected before the resistor failed.  

@ejb14 We'll see what we can find on the AC line but I wouldn't be surprised. I am already looking at some power plants. Not sure if PS Audio is the way to go, I have been told by ARC that they recommend plugging their power amps directly to the wall otherwise I'll end up with limited dynamics. Other people say their system sounds better with a PP without any restrictions in the dynamics. Haven't tried any filter, nothing. 

I'll check what the capacitors say, a friend of mine has replaced them for me. I still have a picture of the old ones. 

The step-up transformer - yes, the noise level is different. the opposite I'd expect actually. I have a MM cartridge and the noise is stronger when the EAR is set on MM. There should be higher gain with MC settings but the noise is less audible, significantly. But it's still there for sure - and it would also be audible during playback.

I have talked to a guy who builds tube amps, a local. He's willing to take a look at the REF150 and I will take the EAR along. If he won't find a problem, I'll sell the EAR. It's gonna be a bit weird if someone comes to listen to it though :) 

@dpop 

The 33 ohm resistance can be there to avoid a ground loop, as I was told by people who build tube gear. 

You're right, I won't linger on it. I'll let one more person to see the preamp and if he says it's fine, I'll sell it. If not, we'll try to repair it.

I found the answer from the EAR factory - 

It's difficult to say but I suspect a broken earth connection to the screening of the input cable or possibly a broken earth connection on the 834P itself.

This would account for the lower noise level when touching the cable where the user's hand would give some grounding effect. 

Does the noise go if all input cables are disconnected from the 834P ? 

Be careful with adding additional earths as this may create an earth loop and introduce hum noise. The other possibility is a poor earth on the 834P metal top cover. This should be grounded via the four fixing screws. if this is not grounded it will pick up all sorts of external noise.. 

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I'd like to try PH5 phono stage but it's a real hunt in Europe. All the ARC preamps are always gone really quickly.