01-10-13: Rower30, I agree that some of my sustained SPL levels are certainly high enough. I am quite aware that my tastes are off pace with the normal:-) And definitely agree that it is very difficult to get everybody to cooperate, all the different subs I mean. I've spent most of my time tuning and keeping the frequency spectrum from having any huge lumps in it. It has worked out a bit, although I've only had a few trusted heads listen to it. Keeping in mind the number of subs, on a single plane, and the timing issues, phasing, and so on. I'd say it's definitely not for the easily discouraged types. Although, since I have so many subs playing together I do benefit from a shared workload. It's probably just as well, my job doesn't go well for people that flinch at loud noises anyway.
01-12-13: Audiokinesis, I have to say if some one wanted to pay me to make this for them..... I wouldn't. I've built and seen sound rooms with multiple distributed subs, and the results are outstanding. Say using four 12" drivers one in each pocket but, not quite in the corners, right? And as far as the right sub/setup, I just don't know. Maybe I just feel like a single source can't operate efficiently at 30hz and 100hz simultaneously.... So perhaps I achieved one goal with my idea there.
Andrew
Synesthesia Studios
01-12-13: Audiokinesis, I have to say if some one wanted to pay me to make this for them..... I wouldn't. I've built and seen sound rooms with multiple distributed subs, and the results are outstanding. Say using four 12" drivers one in each pocket but, not quite in the corners, right? And as far as the right sub/setup, I just don't know. Maybe I just feel like a single source can't operate efficiently at 30hz and 100hz simultaneously.... So perhaps I achieved one goal with my idea there.
Andrew
Synesthesia Studios