Chris,
The authors found experimentaly through listening tests that pure tones made it easier to detect jitter. They looked at all frequencies not just 20 Khz. The paper is a mix of mathematical modelling and lab measurments and lab listeting tests. Jitter creates sideband intermodulation distortion - new frequencies appear as the jitter frequencies modulate the musical or primary signal. According to the paper, the best way to hear distortion is to get the sideband distortion in the ears sensitive 1 to 4 Khz range whilst keeping the music outside this range so there is as little masking as possible.
I'd strongly recommend to download and read it if you are interested - refreshingly absent of any formulas and complex mathematical jargon that you often see in AES papers. They used headphones in listening tests so loud speaker distortion was not an issue (most loud speaker distortion would probably make it even harder to hear jitter)
The important thing to walk away with is that it still recommends that you should always keep jitter as low as possible as distortion is cumulative...what might not be audible distortion from one root cause can accumulate with other non-linearities to become audible.
The authors found experimentaly through listening tests that pure tones made it easier to detect jitter. They looked at all frequencies not just 20 Khz. The paper is a mix of mathematical modelling and lab measurments and lab listeting tests. Jitter creates sideband intermodulation distortion - new frequencies appear as the jitter frequencies modulate the musical or primary signal. According to the paper, the best way to hear distortion is to get the sideband distortion in the ears sensitive 1 to 4 Khz range whilst keeping the music outside this range so there is as little masking as possible.
I'd strongly recommend to download and read it if you are interested - refreshingly absent of any formulas and complex mathematical jargon that you often see in AES papers. They used headphones in listening tests so loud speaker distortion was not an issue (most loud speaker distortion would probably make it even harder to hear jitter)
The important thing to walk away with is that it still recommends that you should always keep jitter as low as possible as distortion is cumulative...what might not be audible distortion from one root cause can accumulate with other non-linearities to become audible.