When someone tells you it's a $40,000 amp, does it sound better?


I've always been a little bit suspicious when gear costs more than $25,000 . At $25,000 all the components should be the finest, and allow room for designer Builder and the dealer to make some money.

I mean that seems fair, these boxes are not volume sellers no one's making a ton of money selling the stuff.

But if I'm listening to a $40,000 amplifier I imagine me Liking it a whole lot more just because it costs $40,000. How many people have actually experienced listening to a $40,000 amplifier.  It doesn't happen that often and usually when you do there's nothing else around to compare it to.  
 

I'm just saying expensive gear is absolutely ridiculous.  It's more of a head game I'm afraid. Some how if you have the money to spend, and a lot of people do, these individuals feel a lot better spending more money for something.  Now you own it, and while listening to it you will always be saying to yourself that thing cost $40,000 and somehow you'll enjoy it more.

 

jumia

On the other hand, with an easier speaker load sans passive cross-overs, not least with speakers more efficient, you have a much better outset with less power needed to accommodate topologically more simple and cheaper amps, while maintaining the same (or more) headroom/SPL envelope. To me at least, that's the better hand to be dealt, while saving you a lot of money. 

The other advantage of easier to drive speakers is the amplifier, regardless of technology, will make less distortion. That will result in a smoother and more transparent presentation, since a lot of that added distortion will be higher ordered harmonics to which the ear is keenly sensitive, and otherwise distortion tends to obscure detail.

@atmasphere wrote:

The other advantage of easier to drive speakers is the amplifier, regardless of technology, will make less distortion. That will result in a smoother and more transparent presentation, since a lot of that added distortion will be higher ordered harmonics to which the ear is keenly sensitive, and otherwise distortion tends to obscure detail.

Absolutely, that's a very important aspect I failed to mention - thank you. And sadly very few speakers made today are 16-ohm load, which it seems is another means to lower amp distortion. Not least also having an amplifier only cover a limited frequency span actively, like freeing it from the lower midrange on down, is a liberating measure to lower distortion. 

The other evening I watched the wonderful special on the legendary Ron Carter, and noticed that his music collection is on CDs played through what looked to be a rather modest stereo system. :)

Ron Carter fancies himself an audiophile:

 

Ron Carter in Stereophile

 

I guess he hasn’t seen how crazy things can get. 

@larrykell

Well, Mr. Carter appears to be quite an erudite audiophile! I'm actually not surprised. Thanks for the link.