Do YOU have a flat frequency response in your room?


The most basic truth of audio for the last 30 years is listeners prefer a flat frequency response. You achieve that through getting the right speakers, in the right position, in the right room, and then use room treatments and DSP to dial it in. If you are posting questions about what gear to buy and have NOT measured your room and dialed it in to achieve a flat frequency response FIRST you are blowing cash not investing cash IMO. Have you measured the frequency response in your room yet and posted it?

 

kota1

@asvjerry @nonoise Thanks for catching my typo, that should read.

There is no "wrong" way to do this hobby

 

@asvjerry You obviously get the point, congrats on the speaker build, must be nice to have the satisfaction of being able to literally build the speaker to fit your room. Most of us have to change the room to fit the speaker, nice job!

 

@duckworp , I agree that that once you have a flat frequency response component upgrades can provide many benefits you simply can't measure with one microphone and a computer. We listen with two ears so things like soundstage can't be measured. My premise is to dial in whatever your preferred FR is before trying to change other parameters.

DSP is very limited in what it can correct. According to the paper I posted in section 2.4 Room Equalization is a Misnomer:

Equalization is very limited in what it can “correct,” yet the notion that changing the signal supplied to a sound system consisting of an unknown loudspeaker in an unknown room can “equalize” or “calibrate” a system is widespread. In the context of a practical application where there is an audience of several listeners conventional equalization cannot: • Add or remove reflections • Change reverberation time • Reduce seat-to-seat variations in bass • Correct frequency dependent directivity in loudspeakers • Compensate for frequency dependent absorption in acoustical materials and furnishings. The exception is in the highly reflective sound field at very low frequencies.

@esarhaddon 

 

Your premise is potentially fallable. You assume engineering and production for best sound quality may have been the goal…which isn’t always the case. More than a few productions may have been mixed to optimize sound from a boombox …or an automobile system…or earbuds.

 

Ideally I would love to hear what the original intent was provided they each shared sound quality as a goal. But alas, no two do to the same level or degree of honesty.

Flat frequency response at the listening position is not desirable.  What most people want is a smooth frequency response curve with varying degrees of downward sloping as frequencies increase.  Room decay times are actually just as important as frequency response.

@retiredfarmer , that is a little harsh to dis the whole country because of one anechoic chamber