Isn't the harsh reality of class D is that it's to clinical and precise, and harsh. With class AB you get distortion and isn't that what harmonics is all about when you listen to music. It's all about the design and the colorations that are done by the amp designer. Most class D stuff is all about fitting lots of power in a small package.
And class D it's kind of cheap stuff so good luck making class d a preferable way to go
@jumia In a word, no.
I've heard class D amps that are smoother than any class A/AB amplifier. Its easier to design a class D amp that exhibits lower ordered harmonics rather than the higher ordered harmonics which cause harshness and brightness.
This is because with class D its possible to run a lot more feedback than you can with conventional designs! Its a nice side benefit of course that they are less expensive and less heat. There's a problem with feedback in conventional designs; not enough of it results in the amplifier's presentation being harsher and brighter due to unmasked higher ordered harmonics generated by the feedback itself. But if you can run enough feedback, it can clean up the mess it otherwise causes.
So at least with the class D amps with which I"m most familiar, they sound as smooth and sweet in the mids and highs like the best tube amps, but with more detail (easier to hear into the rear of the soundstage) than conventional amps.