The one product I did write a negative review on didn’t sound good to me
Is that enough clarity for you?
Yes.
What should be mandatory in every professional published review-
When testing a company's newest amp, preamp, etc, and it is a refinement of a prior product that was on the market, ie, a Mark II, an SE version, a .2 etc, it should be mandatory that the review includes a direct comparison with the immediate predecessor. IMHO, it's not enough to know ion the product is good; it's also important to know if there is a meaningful difference with the immediate predecessor.
I'm fan of Pass Labs, and I just looked at a review of an XP22 preamp. I find it very disturbing that there was no direct comparison between the XP22 and the XP20. And this lack of direct comparison is ubiquitous in hi-end published reviews, across all brands of gear tested. I don't blame the gear manufacturers, but rather the publications as I view this as an abdication of journalistic integrity.
Opinions welcome-
Well that just reduces the interest in any review to that of Bayesian logic and I copy from Wiki. Dull, boring and handwaving reviews are just so not interesting. Precise criticism and a skeptical approach is what I prefer. But then I am not an audiophile.
|
@noske Just as I wouldn’t say something sounds good when it doesn’t, nor would I ever say something sounds bad when it doesn’t just to be “critical.” That’s the main reason why the product comparison sections are so critical as it’s possible to communicate what aspects of a review component’s sound was different, better, or worse compared to a similar product. To me, this is the most informative and useful part of any review and why I can’t stand TAS reviews because they rarely bother to do any product comparisons and I find their reviews to be “dull, boring, and hand waving” reviews I find next to useless. Again, just my take FWIW.
|
Certified results of a recent hearing test as performed by a certified audiologist. A full-disclosure statement by the reviewer of said reviewer’s preferences in "how reproduced music SHOULD sound" as well as her/his taste IN genres of music. And finally, a statement by the reviewer that addresses the nature of relativity and subjectivity.
|