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@donavabdear , thanks for posting your C/V, very nice creds, congrats on all the awards. Would love to hear your thoughts sometime about mixing atmos for movies and how to setup an atmos HT in a convenient and cost effective fashion.. That might be a great topic for a future thread

kota1, I'm not an expert in Dolby Atmos even though I've got a system, I just bought it to do a movie I was going to produce and pay for myself. I have a technical background, Physics and engineering in college and got to do some wonderful acoustics at the beginning of my career which helped all the way through. Live sound, music recording studio work, orchestras, did help me in production sound for films but my specialty is production sound (recording the actors and efx on set). It was nice when I could get into the post mixing stages because I was usually working on the next show. 

@donavabdear / @brianlucey 

Are you hearing any rumblings in regards to a heavy push on concert pay per view, both delivered in specially equipped theaters and for home?   Our growing world means far too many large markets for performers to perform in live, with tickets at those events exceeding the budgets of most fans.

For concert livestreams check out:

thespeakerdude Atmos object oriented mixing is a good bet for the future, systems will become smaller and more efficient in terms of efficiency and specificity in accurate imaging, it's all over the place now, even theaters can't keep up with properly holding the specs of the sound. Holographic glasses will show the artist in the metaverse and concerts will be wonderful.