Powered speakers show audiophiles are confused
17 of 23 speakers in my studio and home theater systems are internally powered. My studio system is all Genelec and sounds very accurate. I know the best new concert and studio speakers are internally powered there are great technical reasons to design a speaker and an amp synergistically, this concept is much more important to sound quality than the vibration systems we often buy. How can an audiophile justify a vibration system of any sort with this in mind.
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@mijostyn wrote:
Absolutely agree, it’s a process for sure and not for the faint of heart. Very much worth it, though.
People here seem to make a fuss about amp-driver matching with active configuration in particular, but while it lends a lot more opportunities here it’s also the far lesser issue per se vs. matching an amp with a passively configured speaker. A paradoxical way to assess amp-driver/speaker matching here, if you ask me. @thespeakerdude wrote:
Check.
Should make sense, though not really interested in the "secret sauce." I’ve had my own share of intricacies to dig up - while fairly straight forward coming down to it - getting my own active setup sounding the way it does now, and it’s been a lengthy process I’ve enjoyed, and still does. Every worthwhile permutation in hardware config. potentially requires subtly resetting filter values and speaker placement - no big mysteries there.
You’re making it sound as if using external amps in an active configuration, certainly in my case, is a careless and crude affair, but that’s really only assuming the worst of it while promoting your own business of an inboard solution as that which harbors the best of active. For you information I didn’t replace anything, I merely worked from an outset and over time, a few years by now, have gotten to a place where the amps used, their place in the driver configuration (with quite a few permutations with a range of amps), speaker placement, digital filter settings and overall synergy in my acoustic surroundings forms into a sonic outcome that easily compares to any preassembled and bundled active speaker I’ve heard, and should I say handily beats them in vital areas with the accommodation to physics afforded with an outboard solution - something that inboards can only dream of as per their typical incarnations. And no, it’s not about loud per se.. @kota1 wrote: per Andrew Jones:
Nothing here at odds with my own approach to matching amps with driver sections - makes sense. Thanks for posting this.
How, or to which degree would it "misfire" with an outboard active config. and finding the proper amps for the driver sections here - have you tried it? I mean, it’s not going to blow up. It’s about perspective; matching amps with drivers actively makes for less of a variation between the amps vs. passively, while harnessing the bigger potential of amps used actively. On the other hand an active config. is more revealing with regard to source changes, and cables as well.
JBL Studio 230’s, so passive speakers? As I said, with passive speakers the variations between amps and how they’re (usually not) impervious to load differs a lot, while reflecting perceived sonic presentation accordingly.
An outboard active solution by contrast isn’t plug-and-play, that’s for sure, but for those willing to invest the time and effort you’ll most likely find yourself very much rewarded, and with a carte blanche slate to work from. IMHO. @lonemountain wrote:
Well said. |
From several pages ago @lonemountain . However that's not to say you may not still have some larger passives in the drive circuit of an active speaker but they are part of an integrated solution.
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@phusis when I said misfired it meant mismatched. The Parasound amp is very, very transparent but it didn’t have enough mojo to let that speaker outperform. The 230 is a passive speaker and I really like it. I didn’t know how much I liked it until I paired with the Carver AV505 from the A Series (on the TAS list of 10 most significant amps of all time). This is a BIG 5 channel amp and I only used two channels. The tracking downconverter is like a carburetor, it can move power to channels as called for. OMG, the soundstage opened from wall to wall, floor to ceiling. I was in shock as they never sounded like that before. That was basically luck on my part. For around the same price of that desktop rig I could have gone with these and got room correction too: r these:
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Careless? Not at all. Crude only in a comparative sense. I don't think you are understanding the variables that are available though for active speaker implementation. I don't expect a hobby implementation to compete with a large R&D budget so don't take offense. |
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