@cleeds I included the weasel word little. I linked examples where analog sources were passed through a digital chain of CD quality and the listeners were not able to detect it. I could waste hours on the web finding examples of suitable implemented testing comparing CD quality audio to hi-res audio that would conclude no detectable difference. Can we agree that if there is a difference between CD quality done right and high resolution that the difference is very small, and hard or very hard to detect?
Play any example of vinyl ever made and the closest CD and everyone will be able to tell them apart. Maybe you will find some obscure set where that is not true. Can we say 99.9% of them?
Take the last two paragraphs and put them together. The difference between vinyl and CD is bigger, much bigger than CD and high res. I am working from the assumption that high resolution digital is good enough to be perfect. Two-four times the bandwidth of CD, 20db or more of added dynamic range and hard to tell the difference from CD. I would say it is near perfect.
I did not say what that particular sound is. Cross-talk was mentioned. No matter what you do, that is there. When you are getting to the inner grooves there is unavoidable distortion. I am not up on the latest in vinyl, but my memory says the best distortion from vinyl, especially at high frequencies is several magnitudes higher than even CD. Maybe it is a combination of the cross-talk and the mastering, and nothing else? Maybe my turntable setup that I think has a flat frequency response does not?
Every vinyl versus digital argument seems to devolve into an attempt to find some mysterious flaw with digital that cannot be supported with math, engineering, nor experiment. Maybe there is some flaw at CD quality that we can possibly detect. If there is, it is very small. The differences between CD and vinyl are not small. Some progress in understanding would be nice. It is not going to happen by starting with an unjustified conclusion and working back.