Great discussion. Much good info. Varies much between speakers but the answers that addressed “baffle step” ring with me (see what I wrote there). As a Wharfedale Linton Heritage speaker owner, I’m a fan of the current wave of throwback big boxes…with the right distance from the back wall and a little toe-in they seem like best of both worlds between crisp imaging and rich tone.
Why does pulling out main speakers from wall improve sound?
Ask my dealer this question and he was stumped. He said it's a good idea but couldn't say why. I see speakers pulled out eight or more feet from the wall in very nice systems.
The drivers are facing forward, and when there are no ports in the back of the speaker so why would it matter?
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@danager : My issue is the bass sounds so much better when I stand up. I had that experience before too. What I found is that my speakers were too far from the front wall. It took me a couple of days of effort positioning the speakers in 1/2" increments to finally get them dialed in. That includes the distance from the side walls too. The crazy thing is, once I got them dialed in, the bass was nearly uniform all around the room- not just in the listening chair. A good CD for evaluating the bass is Stanley Clarke's East River Drive. The first track has a double tap of the bass drum. When I got everything right that drum sounded good, not muddied to almost inaudible- except when standing up. |
+1 @tonywinga
You are balancing boundary reinforcement (getting close to the walls), with SBIR (cancellation from front wall reflection), and room modes. @bigtwin , Focal appears to be attempting to at least balance some of that in their formula, but as you noted, it may result in unrealistic values for many listeners. |
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