I feel bad for Generation X and The Millennial's


Us Baby boomers were grateful to have experienced the best era for rock/soul/pop/jazz/funk from 1964 thru 1974. We were there at the right age. Motown, Stax, Atlantic, Hi Records and then look at the talent we had. The Beatles, Aretha Franklin, Ray Charles, Sam Cooke, Jimi Hendrix, Queen, James Brown, Rolling Stones, The Doors, Herbie Hancock, John Coltrane, Wes Montgomery,  T Rex etc. Such an amazing creative explosion in music, nothing can beat that era.

I feel bad for the younger crowd Generation X and Millennials who missed it and parents playing their records for you it isn't the same experience, seeing these artists live years after their prime also isn't the same.

128x128probocop

Leave complaining and brooding behind, and cease projecting helplessness. Go with what you know and/or experience as best you can. I’m a Boomer, a dual national, and dedicated to enjoying great music. Don’t stream except for using Apple music in my 2008 Toyota FJ with its original sound system. Grew up with vinyl, biut with the refinement of CD mastering, I left the scratches, pops, and skips behind. Too lazy to get up, turn the record over, cue the tonearm, and trying to rationalize why I don’t want to put forth the effort to provide the meticulous care vinyl needs. I’m fortunate to have a close friend in Baltimore whose family dedicated themselves to recorded music and the ongoing refinement of the industry’s electronics. The salon still exists and with the same mission. "Relax, enjoy...no rush." The recent decades have contaminated much of what we appreciated.

Still upset? Listen to Dylan’s It’s Alright, Ma (I’m Only Bleeding)

@oregon The TV dinners sucked but JoAnn Castle brought the house down every time.  I implore anyone who who hasn't heard her give a listen!

I have to weigh in on this.

What seems to be lacking in modern pop music is the flesh-and-bones humanity of the old school recording process (ugly warts and all). I’d rather hear John Lennon screw up the bass line in "The Long and Winding Road" than some technically perfect digitally generated bass line. I’d rather hear Dylan sing off key than hear "Ye" sounding pitch-perfect using autotune. The visceral experience of hearing a live orchestra cannot be matched by a synthesizer playing state-of-the-art pitch and rhythm perfect renditions of the same score.

To be fair, there are many modern artists who eschew digital manipulation and prefer to stay true to the old analog processes (digital recording is fine as long as manipulation is kept to a minimum, or, even better, entirely eliminated). I do respect that many modern artists use synthesized music and autotune as part of their expression (T-Pain is a good example), but certain genres simply do not hold up (for me at least) when overly processed and produced.

George Gershwin was a prodigeous piano player and composer who has left us with an amazing repertoire. All evidence suggests that hearing him play live was enthralling. Gershwin is also famously known for creating piano rolls (to be played on the then popular player pianos – the digital music of the times). No doubt this made him a lot of money, and has left us with some priceless historical artifacts, "But a sense of voiceless perfection, a lack of microcosmic nuance, and an overall mechanicalness of the recordings ultimately shatter the “live” illusion and return our attention toward their inorganic nature. It’s even more difficult to coax out the personality of Gershwin as the performer of this music. Though scholarly analysis can provide clues about Gershwin’s style and arrangement, the combination of post-performance editing and analog reproduction obscures what traits of a “live” Gershwin performance might linger in the facsimile."*

* quote from "The Ghost in the Machine: Decoding Gershwin in his Piano Rolls" by Sarah Sisk, 2021.

@ianb52 

I think Ian nailed it in his comments. What is interesting to me is my daughter loves making music and she is able to without the need and expense for a recording studio etc. She posted her first official song on YouTube Music, Apple Music, Spotify without a record label. It’s actually very good. Growing up she would get so excited about a song that she heard and would play it for us and inevitably it was a remake of a classic song which we would play for her. We had friends over and would play classics (50’s-80’s), Guitar Hero exposed her to a ton of awesome music as well! I know there has been some great music being made in the 90’s through today, due to the ease of making and posting online it is difficult to sort the good from the bad but it’s there. I think history buried the bad and only the great ones stand out so it always appears that the current generation doesn’t have anything worth listening to because it is still getting sorted out. 

I’m a Boomer and there is no way that I would consider any era of music to be better than another.  It is all in the brain of the listener. 95% of the Boomers that I know only listen to the same rock/pop/soul music that the listened to in high school or college.  They might go to a classical music concert, but the they have no idea of any current music music is.

I listen to all sorts of current music in the blues, Americana, bluegrass, jam band, and Jazz genres. The people that I see at concerts include Boomers, Generation X, and Millenials.  The new music that is playing at those concerts sound good to everyone at those concerts.  The younger listeners have the advantage that they can better utilize technology to find the best new music and artists.