Discuss The Viv Lab Rigid Arm


I am trying to do my due diligence about this arm. I am just having a hard time getting my head around this idea of zero overhang and no offset. Does this arm really work the way it is reported to do?

neonknight

Mijo, I am talking about underhung tonearms as a separate subject relative to the Viv tonearm.  Whether the GT5000 is totally to your liking or not is not the point, but I did notice that the tonearm design on the GT5000 does have the technical flaws you mention.  As previously discussed, the placing of the pivot at the level of the LP surface, or lack thereof in this case, has relevance only with warped LPs.  To which you may reply all LPs are warped to one degree or another.  To which I would reply that really tiny or minimal warps are also really tiny and minimal problems in terms of altering VTF.  Anyway, neither of us is going to buy the whole turntable just to get an underhung tonearm.  All that said, I would be very curious to hear the GT5000 in a good system.

@clearthinker @atmasphere 

The hardness of the metal in the bearing is not the only issue.  The fineness of the machining is fundamental.

And let’s not forget materials such as the yoke etc. as some materials reflect energy while others may absorb.

@mijostyn 

twist your cartridge 5 degrees in the head shell and listen to what happens. If you hear nothing wrong either your system or your head does not image.

For purposes of discovery, I’m curious what the result would be with a spherical/conical styli without skating forces acting upon it ? ? ?

 

As the saying goes, “maybe we’re measuring the wrong thing” if the numbers don’t justify the sonic results.

Is it possible that an established priority of setup parameters could be threatened  &/or reshuffled?

Booth, Not sure what you mean.  A spherical tip still generates a skating force, if that is what you're suggesting.

lewm, I guess I’m curious to discuss if the more linear (skating) underhung/zero offset variety behaves more like a tangential (no skating) scenario.

There is only a single null-point of tangency with the Viv, but the firsthand reports I’ve received indicate the sound is “in the window” or locked-in throughout it’s entire arc.

I greatly appreciate your insight and objective approach, just trying to quantify the positive of what’s occurring with this tonearm which I understand is rather successful in its homeland.

The interest of a conical profile is to nullify zenith issues.