The Aaron Copland / Bob Dylan connection


Do I have your attention now?!

I am about 2/5th's the way into an amazing book that anyone with the slightest interest in American art forms should find well worth his or her time. It was written by Sean Wilentz, a Professor of American History at Princeton, and author of a few books on that subject. But the book I'm reading is entitled Bob Dylan In America, and it is, hands down, the best writing on Dylan I have yet to read. And I have read a lot about Dylan!

Wilentz starts the book by laying out the context within which Dylan's work will be examined and discussed, starting with the very American music of Aaron Copland. I guarantee you, you have never before heard what Wilentz has to say about the connection between that composer and Dylan. The next section is about the overlap between the Beat writers and the Folk singers of the late 50's and early 60's, but not without tracing their origins back to the 1930's. The relationship between Dylan and Allen Ginsberg is discussed in great detail, and continues into future chapters. It is fascinating stuff.

Wilentz finally gets to Dylan himself, and provides details on the writing and recording of Bob's first six albums, as well as the live shows coinciding with them, culminating in by far the best examination of his masterpiece, "Blonde On Blonde", I have read. Every song, every recording session, every musician involved (there are some surprises!), all examined with fanatical attention to detail. I thought I already knew a lot about the album, but I learned much more than I already knew. Absolutely fantastic!

I do believe this may be the best book I have ever read on the subject of, not just Dylan, but of any artist. I found it at my Public Library, but I'm going to buy a copy. That I'll want to read it again I have no doubt.


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@jafant: I finally made up my mind on Bootleg Volume 17, and went with the 4 LP iteration. The 5 CD set includes a lot more material, but mostly live shows, with which I’m not particularly interested.

Some of the live recordings are from Dylan’s appearance in L.A. in 2001, a show I may have been in attendance at. He played The Pantages Theater on Hollywood Blvd. (a beautiful Art Deco building) five nights in a row. He and his band were absolutely fantastic the night I saw & heard them! I played a show on that stage once, and it’s a "difficult" room (the back wall reflections arrive back at the stage rather quickly---it’s not a deep room, making it hard to hear the sound coming from the stage monitors). So hats off to Bob and his fantastic band. Opening for Dylan that night (he had a different opening act every night) was an unaccompanied Beck, who was underwhelming.

bdp24

 

Nice choice! I own the 5-CD set.  May the "Bootleg" train keep a Rollin'

 

Happy Listening!

@jafant: I bought all the deluxe CD boxset versions of previous Bootleg series releases (I really wanted ALL the Basement Tape recordings, for instance), but for this one I chose the 4-LP set. The extra material in the 5-CD box didn't particularly interest me.

But I love you don't let hardcore audiophile peer pressure intimidate you into not buying CD's ;-) . Some of my favorite music has been released on CD only, and if it's truly "about the music"..... 

bdp24

 

Any predictions for Vol.18 this year? Excitement mounts.

 

Happy Listening!