the old stand-bys of tests for frequency response, dynamic tracking, depth/stereo imaging [particularly the LEDR test]. then, i'd put on the RCA red seal CD of the CSO/Reiner performing rimsky-korsakov/debussy, as that recording has a very wide dynamic range, you can hear everything in the recording [including low-level "musical sounds" such as musicians breathing, clothes rustling, chairs squeaking and music stands rustling] only on a system properly engineered and properly set-up. then i'd listen to the Telarc 1812 overture cannons to make sure your system can handle deep loud bass. i also have a Laserlight CD of virgil fox playing a bach organ number ["toccata, adadio and fugue"] featuring the most extreme frequency and dynamic range of any recording i've heard, bass featuring cleanly recorded 16 cycle fundamentals, ppp and then sforzando all stops out [deafening!]. the aforementioned pure 16 cycle tones reveal doubling in a speaker that can't handle it.
Music for setting up speakers
Im setting up my 30yr old Martin Logan Sequel II’s. I followed some ML guidelines and it was pretty straight forward. They are 8’ apart and 8’ from me. I towed them in using a flashlight and beam reflection, it was pretty easy, same for the reflection to be sure one isnt tilted forward or backward more than the other.
I’ve been listening to some Tidal tracks and wondering what you listen to to confirm your setup is right for you.
I listened to some solo violin and cello, some folky vocals, some Led Zepp just because :0)
maybe music where instruments are easily located ect
Thanx
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@rodman99999 I know this is an older thread but are you aware Von Scweikert recommends using pink noise for set up in their owner's manuals? |
- 57 posts total