Technics SU-R1000 - Good but not the king of switching amps


Was looking at the measurements for the Technics SU-R1000 Integrated published by Stereophile. I never bother with the reviews of the sound quality as there’s 1 reviewer there whose ears I trust and it’s not this reviewer.

To be clear, this IS a digital amplifier, and is not a Class D amplifier. Atmasphere will always disagree with me, but given Technics nomenclature and the use of an A/D converter, and PWM output I think if any amplifier qualifies as digital this one does.

What I find kind of interesting here is that the measurements are OK but not absolute Class D killing results. I am particularly unimpressed by the performance of the impedance compensation circuit, LAPC, which at the end of the day does not seem to have performed significantly better than actual, non GaNFET amplifiers, particularly in removing the effects of the output filters Class D amps require. I really hoped to see a huge win here... but it’s not. It’s just making the PWM perform almost as good as a true Class D amplifier.

I have not heard this integrated, but the claims and expectations laid out for the technology seem to not be proven in the measurements. This is a very expensive integrated that does everything differently, and measures about the same as previous generation, also excellent sounding, Class D engines I’ve seen measured.

My stance that Class D was already very good and that new, faster switching amps would have to be truly spectacularly better to unseat them remains, in my mind, uncontested.

Can’t wait to see everyone trashing Class D on the measurements suddenly decide that this amp should be heard and not measured.

erik_squires

I’m currently in Tokyo and had the chance to hear the R1000 at Dynamic Audio 5555. The amp was driving TAD’s demanding CE1 speakers. With volume at barely 8 o’clock, the resolution produced by the Technics was extremely impressive. The music was full/ complete without being at all loud. Really stunning clarity and no trace of treble brightness.

Given this experience, I’d be very interested in hearing the Technics G700M2 paired to the MoFi Sourcepoint 10’s or something similarly easy to drive, unlike the CE1’s, with solid bass abilities. My hunch is that this could be a knockout combination.

 

 

 

 

I’m currently in Tokyo and had the chance to hear the R1000 at Dynamic Audio 5555. The amp was driving TAD’s demanding CE1 speakers. With volume at barely 8 o’clock, the resolution produced by the Technics was extremely impressive. The music was full/ complete without being at all loud. Really stunning clarity and no trace of treble brightness.

When I was in Madrid Mahou tasted better than any beer I had tasted before. 

@fsonicsmith1 Sounds as though you’ve never been to an audio dealer in Akihabara, correct? In any case, thanks for sharing!

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