@ghasley, if you will pardon my saying so, sales is always the problem. One would have to think that the requisite number of sales to service the debt, then generate a working profit, was not attained, likely over a period of years. The challenge for ‘high-end’ companies is finding enough wealthy customers with sufficient disposable income to support the increasingly stratospheric pricing structure. Audio Research must have had difficulty in appealing to enough of these customers.
Example of a successful brand bridging the gap; Technics (by Panasonic).
Let us qualify affordable. I did not intend to say generic lower end hifi, but more upper tier that is still affordable by ‘the masses’ as you put it. Let’s take another example, Devialet. Their Expert Pro 220 offers a decent enough streamer compatible with Qobuz, Apple Music, Spotify etc., a terrific DAC, a superb amp / preamp, and to crown it off, a truely superb phono stage. All this for 10k. Are there better, yes. Are they 20k 30k 40k and more better, decidedly not. Iconic brands such as Audio Research, McIntosh, Conrad Johnson, and Mark Levinson are experiencing stiff competition from European and Asian brands. The question is how many can hang on if the uber high-end market shrinks further?