Shadorne - actually I believe most pro-audio gear uses global master clocks to synchronize the digital streams in lock-step for post-record processing, not real-time playback. It is not jitter that they are dealing with, it is synchronization of the data packets between separate gear. This can be done with a single clock that fans-out to all of the gear. Not optimum at all for playback where the clock needs to originate close to the D/A.
They usually do have a good master clock inside the A/D. This is critical.
Steve N.
They usually do have a good master clock inside the A/D. This is critical.
Steve N.