Electrostatic speakers and low volume resolution

Thank you for pointing this out. Right now I'm waiting for final membership verification from MLO and will read his post later on when I'm back home. Based on what I've read, the Mark Levinson amps are certainly very capable and I assume that his observations are valid and would transfer to my speakers. However, the models mentioned are a little out of my financial comfort zone right now especially since I just bought the new speakers and have no way of auditioning these amps in my home first.

A super tweeter is one that operates at about 10KHz and above. A regular tweeter might only roll in at about 2KHz or so.

"Now that I'm using the equalizer (Behringer DEQ2496), between automatic room balancing and frequency adjustment to compensate for age related hearing loss, I'm able to get back much of what I've lost. If I had discovered the EQ approach years ago I could have saved significant time and money in this quest. I tried, as I said previously, to use the EQ as a sort of loudness control for low volume listening but it hasn't really worked that well so far. That being the case, I still want to try the autoformer approach and will as soon as my checkbook recovers from purchase the new speakers.
Broadstone (Threads | Answers | This Thread)"

I was just reading through your comments again and have a question. You say that the EQ helps but its not a complete fix. What are you lacking? What is it that needs to be corrected to get the sound you need?

Also, I have something for you to try, if you haven't already done so. I'm sure you recall some of the posts where people feel that there's usually a sweet spot to where an amp will sound its best. For the most part, I would agree. You can control the overall gain with your EQ, in addition to the individual EQ bands. If you raise and lower the overall gain with the EQ, you can vary how hard your amp is working, while keeping the SAME volume level. With some experimenting, you should be able to identify your amps sweet spot.

I've become a strong believer in the part that all frequencies play in such important factors as timbre, even, or maybe especially, those beyond our sensory capabilities. As was discussed earlier, the base frequencey of most any instrument or voice falls within even my upper audible range of about 8-9000Hz. Their associated and critical upper harmonics, though, will far exceed these values.

For this reason I'm convinced that their enhancement can be valuable to realism without, as far as I can see, much potential downside. I will be trying it then but I still need some guidance on their use. First, I've read that a x-over is necessary which I can understand if one decides to use ribbons for example. If one were to use piezoelectrics, though, they are LF limiting by their nature. I'm not sure they are the best choice though.

Anyway, my concern remains re the use of a crossover; I don't want the transducer panel robbed of any portion of the delivered upper frequencies so a crossover doesn't work in my way of thinking. As I also remarked on before, I see the piezo as a capacitor which if installed across speaker terminals, would tend to do somewhat the same thing. What I need to know, then, is it ok to simply attach the "super tweeter" w/o additional circuitry across the speaker terminals.

ZD, I missed your last post before I wrote mine. Your comment regarding the use of the EQ to unburden the amp is the kind of creative thinking that most of us would not have envisioned. No, then, I haven't tried that approach.

You asked what I was still lacking and I don't have a good answer except that it just sounds better at moderate volumes. Because that has probably to do with the very nature of how systems work or how sound is perceived, I might simply be expecting too much.

What I'll do at this point is put the EQ and power amp back in the system and see if I can do something with your suggestion on finding and operating within the "sweet spot".