Looking for a Warmer Sounding Phono Cartridge


I've grown tired of the sound of high end MC cartridges. Detail aplenty, but I've begun to detest to the screechinesssssss.

No, my system is not biased that way. I'd consider my system neutral. Components are listed below. The Koetsu RS sounds wonderful. The other cartridges in my rotation are the Hana ML and the Shelter 901 MK III. These are not described in the literature as very etched sounding nor very detail rich. They are mostly characterized as neutral.
My ears no longer tolerate the highs, anything above 3KHz I would estimate. My hearing disappears at about 8KHz. I don't have any hearing problems except for the loss of higher frequencies. I find also that I'm not as interested in "getting everything that's on the vinyl". Not anymore. I want warmth with quality. I listen to the "audiophile" recordings, to R&R LPs from the 70s and classical and opera from all eras. Some LPs are very good, some not so, but performance overrides the defects. I want to continue to enjoy all of them.

So I'm searching for a good quality warm sounding cartridge, MM, MI, MC or some other, doesn't matter.

I've been researching the field and have come up with these candidates:

- GradoTimber Master 3
- Shelter 501 Mk III
- Soundsmith Zephyr MK III

I was pretty sold on the 501. based mostly on the article by Michael Fremer, but a very helpful contact at Upscale Audio turned me onto the other two. His advice sounds very sound and seems to come from experience with all three.

I would like to keep the discussion limited to the above three and to cartridges less than $1500 USD, unless there's a really great one that I've missed.

Thanks for your help.

My stuff:

Koetsu RS, Hana ML, and Shelter 901, Musical Surroundings Nova II phono pre. Alternate pre is Paragon System E (tubes) and a DIY SUT with Cinemg 1254 trans, sometimes Apt Holman Preamp 1, Technics SL-1200G, Denon DP-57L, Levinson #38s preamp, Rane EQ and Crossover, Bryston 2.5B cubed amp, Revel M105 bookshelf speakers, and HSU 15" Sub.

128x128Ag insider logo xs@2xkevemaher

I've found a solution to my dislike of screechy highs. And it was right in my cartridge drawer!

I installed my very old Grace F9 body with a Soundsmith RS-9E stylus assembly (plugs in). The stylus assembly  is constructed of an Alimunum Cantilever and a nude elliptical diamond stylus. Installation was on my Denon DP-57L table.

 I've forgotten how difficult MC alignment can be and how easy this MM cartridge was to align. Separation, azimuth, anti-skate, VTA, and VTF adjustments were straightforward and simple.

The sound is very beautiful and smooth. I love the midrange. Bass is surprisingly full and has detail. The FR curve shows gradually diminishing  lows by about 5dB from 100Hz down to 20Hz and a very small rise above 10KHz of about 2 dB. Separation is about 27dB. I set the VTF to 1.25g (the old Grace recommendation was 1.2g). SS doesn't spec the compliance, but if it is true to the Grace F99E it is high compliance. The stylus is almost brand new. No screeching.

This issue is settled for me...for now.

Any of the classic MM cartridges will be high compliance.  I have a Grace Ruby with an SS OCL stylus on the correct sapphire cantilever.  It's a marvelous cartridge.  But I am not aware that the required degree of alignment accuracy for a happy outcome is dependent upon cartridge type (MM vs MI vs MC).  Probably the elliptical stylus shape is more tolerant of small errors in alignment than are modern stylus shapes, if indeed that has anything to do with this story.  I am what I call an "alignment nihilist".

@lewm I've found that the setting of the Anti-Skate is more difficult for MC cartridges. Separation must be nailed exactly for best performance. It is more difficult to find arm/headshell combinations that will produce resonance in the sweet zone. MC cartridges are also more delicate (mechanically, not audibly).

And most sound too shrill for me, whenever I set the VTA, VTF. This is clearly a personal preference.

Most MC cartridges exhibit electro-mechanical resonance at very high frequencies, well above the range of human hearing, depending upon load and etc.  But many do exhibit a slight 1-2db rise in FR at the very top of the audio spectrum.  Anyway, it is sufficient to say that you are sensitive to something about MC cartridges that manifests in the upper frequencies, without nailing down exactly what that is. Which is why I mentioned tinnitus. For me, I find many of them to be "thin" sounding in parts of the spectrum especially on piano and some voices.  I am guessing that this is due to very subtle mistracking, because sometimes I  can "cure" a particular cartridge by increasing VTF ever so slightly. But it's just a guess.

Since you don't have to buy another cartridge you could now replace your phono stage with a tube one. Besides, you will be using vintage cartridge, and vintage means tube electronics.