Why so underwhelmed by Revel F208 audition???


After much reading my local dealer finally got in a pair of Revel F208 speakers to audition. After playing my usual demo songs I was sorely disappointed with the sound.
They simply had no life. The strings that sparkled on other systems sounded like cardboard (ok, bad description but you get my point). They bass did not move me at all.

Was it because:
1) I wouldn't know good music if it slapped my in the face?
2) I was actually auditioning the electronics more that the speakers?
3) I've become a music snob and only the best will do?
4) They are not properly broken in?
5) The speakers really are cr@p?

After reading that 3 different reviewers use the performa's (f206 or f208) as their reference speakers, it's really hard for me to believe number 5 - that the speakers suck

I've been a severe critic of bad sound and a conosour of fine music my whole life so I hope number 1 isn't true:(

The sound from my main system is breathtakingly beautiful. It consists of a Metrum Hex Dac, Benchmark DAC2 Pre preamp, Bryston 3B Sst2 power amp, PMC 22 speakers flanked by 2 Rythmik F12 Subs. The DAC is very rich and analog sounding and the rest of the system is very transparent. Stunning sound. So I have very high standards to reference these speakers against. Maybe I am just expecting too much from the Revels? So number 3 might be somewhat true???

The F208 speakers where being fed by an arcam CD player and an arcam a39 integrated amp. Perhaps this can not compete with my home system? Is number 2 correct and I am really just auditioning the electronics?

Break in can make a big difference in speakers. Maybe they need hundreds of more hours through them? I need to check on number 4.

Or maybe they really are that bad and everyone who has reviewed them is a big fat liar?

Who has heard these and can make a comment???
earlxtr
Kr4, The point I was really trying to make is that Revels and Bryston speakers are often compared to each other and they seem very close in comparison based on what I have read. Yet to my ears, the Bryston speaker audition trumped the Revels in every way. It just didn't make sense to me. I expected them to be very close. Of course no break in on the Revels is one considerable factor, IMO.

Have you now heard the Revel speakers? Do you think the Revels rival the Brystons?
After reading some positive reviews about the Revels, I was underwhelmed when I auditioned the F208. They were being driven by an NAD Master Series amp.

I ended up buying a pair of Harbeth SHL5+, which I found to be far more musical and enjoyable. The Harbeth were driven by a Pass Int 150 for their audition.
I concur Earlxtr-

I was severely disappointed w/ both Revel and Aerial demoes over the years. After reading so much positive reviews in the usual Audio rags- I did/do not understand all of the "fluff". My reference loudspeaker is THIEL. IME, these models do everything right- consider an audition soon.
Keep me posted & Happy Listening!
Owning the F208, the first two things to review is the bass and treble compensation switched. With varying rooms and speaker placement within in the room, they aid in helping the speaker work a bit better in many situations.

The Arcam in question certainly has me quite curios on how they achieve a class A operation output of 20W until it switches over. My own Pass X250.5 used to power the Revel's hit about 15wpc before going A/B, and are far heftier and run decently warm from the get go. The Arcam appears very light for running that many watts in class A, which often requires plenty of heat dissipation.

As for the F208 sound, its a very good speaker and does greatly benefit from proper setup. If you like a speaker that has a very forward sound, they may not be best suited to your preferences. While certainly not reticent, it plays a balance that is just slightly stepped back than some. To me, its a little more livable and doesn't really ever get fatiguing. On the other hand, other speakers I have owned and listened to have offered more immediate vocal performances with well recorded material. Few loudspeakers will be better all around and a large part has to do with how a recording was mastered. Its very important to use your own music to evaluate and take your time and get a sense of what they do with them differently.

During my experiments, they offer the best balance when directly pointed at the listening spot and like most speakers, prefer some distance to surrounding objects and walls.