WHY IS THERE SO MUCH HATE FOR THE HIGH END GEAR ON AUDIO GEAR?


It seems like when I see comments on high end gear there is a lot of negativity. I have been an audiophile for the last 20 years. Honestly, if you know how to choose gear and match gear a lot of the high end gear is just better. When it comes to price people can charge what they want for what they create. If you don’t want it. Don’t pay for it. Look if you are blessed to afford the best bear and you can get it. It can be very sonically pleasing. Then do it. Now if you are also smart and knowledgeable you can get high end sound at mid-fi prices then do it. It’s the beauty of our our hobby. To build a system that competes with the better more expensive sounding systems out there. THOUGHTS?

calvinj

@calvinj     Great thread!  IMO many have not had enough experience around HEA. It's easy to be critical over the unknown. Secondly with the recent escalation of budget audio Youtube reviewers and vinyl collectors, they have the attitude that the music is 100% more important than the electronics. Lastly many can't accept value is a subjective opinion that varies with the individual.

There’s no debate in science about the nature of electrical audio signals. In the world of electrical signal transfer and processing it’s about the simplest thing there is. You want complicated? Signal processing via satellite for real time GPS that literally has to calculate the effects of special relativity because the speed at which the satellites travel create micro mismatches in synchronization due to time slowing down at faster speeds. That’s complicated. Audio signals from 20 hz - 20 kHz is really simple in comparison. And none of those far more complicated technologies are using “high end” cables or power cords. They use gear and materials based on their measured performance. And it works. 

 

“Psycho-acoustics is the science who put the right question here , and the answers are complex and multidisciplinary , never simplistic as claimed by the two opinionated groups above ...”

 

 

What are the competing theories in psychoacoustics pertaining to well established thresholds of human hearing or the current models of how we process and store aural memories? I was not aware of any actual theories in psychoacoustics that challenge the current body of studies that have already established those thresholds of human hearing or any theories that challenge the current models of how we filter and steer focus when listening and how that information is further filtered through data reduction and additional steered focus. Can you point us to any literature in the field of psychoacoustics that talks about these competing theories? 

>>> I don’t perceive sound any differently than you or anyone else. >>>
 

>> am pretty sure this is questionable, at least. >>
 

how so? Do you believe that you and other audiophiles have developed some form of audio perception that works differently than what was the product of millions of years of evolution? Do you think that somehow your ear physiology has been some how reconstructed or that your brain functions that process sound have been re-wired? What makes it questionable? What makes you think you are exempt from human biology? 

human hearing in many ways is not extensively understood or measurable, and there certainly are individual differences...the process is the same, but the results are different...