Equalizer in a Hi Fi system

Rush is my favorite band of all time. Many of their albums varied considerably in production quality. Most of them benefit massively from high end EQ. The better the EQ, the better the enjoyment!  It’s interesting. I’ve found that some of their hi res remasters are worse and sometimes better. The Redbook remaster of 2112 was a huge sonic improvement. The Metallica Black album remaster a big improvement too. Many remasters suck though. Yes production and remasters are so highly variable it’s nuts. I therefore cannot live without EQ. 

@tlcocks What does your system consist of ? I don’t see any posted photos ? Why ? 

I haven’t done all that at Audiogon yet. It’s all on Head Fi. For HP chain. Sorry I haven’t done it on Audiogon for my loudspeaker chain yet. But I discussed all my gear down to the cabling pages ago. I’ll find it and paste it here again. It’s in along narrative earlier in the thread. Be prepared…

Actually it’s all on page 3. See that page.

Highlights:

Auralic Aries streamer > Bryston B135 SST2 integrated amp with onboard DAC > Martin Logan Montage dipoles.  Transparent cabling. 
The Bryston has an unbalanced tape loop that is completely transparent. In it is contained the CO PEQ-1. They are mated with 4 Cardas Clear Sky RCA to XLR cables which are custom grounded by Cardas to provide full unity gain with every pro piece I’ve put in the loop with the one exception of the Skyline.