@atmasphere I have Pass Labs XP22 preamplifier and X260.8 mono amps and I can hear the difference between XLR interconnects. I’ve tried a few at various price points. The difference was enough to choose one set over another
When to choice XLR over RCA ICs.
If your IC connections are 1m or less is there a difference between using XLR over RCA Interconnects?
As one moves up the ICs cable lines with a manufacturer (ex. Audioquest) which connections would you upgrade first and in what order.
My system is McIntosh (C12000 two part preamp, Men220 room equalizer, MC611 mono-amps), Audioquest (AQ) Niagara 5000 line conditioner, and Hi-Fi Rose 150b streamer.
I am currently using AQ Black Beauty XLR ICs. I have a pair of 1m Firebird RCA ICs and would like to replace one of the Black Beauty ICs in system configuration. Future upgrades looking for recommendations.
Presently using a AQ 2m Thunder 20A power cord from wall socket to Niagara.
Using 4ft AQ William Tell (Silver) bi-wire combo speaker cable (mono-amps to 800d3 speakers.
Thank you, Please advise.
Bob
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@atmasphere , a very good and affordable cable is Audio Envy
You should hear a significant improvement in dynamics and imaging. Venue acoustics should make a performance more lifelike Percussive instruments should sound "crisper". E.G.
They have quite the following on audiogon. They also make very good power and speaker cables If you stream from a service then try listening to
On vinyl, I have recordings on the Tacet lable that excel in live classical performances, especially in the area of venue acoustics. Hope that helps Regards Steve
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@atmasphere - just thought I would let you in on my own single ended journey...
The Helix DIY AIR cables are amazingly articulate and neutral, with clear and detailed performance across the entire frequency range, with an extremely dynamic performance. They propvide a truly immersive image in three dimensions Happy reading - Steve |
@williewonka If single-ended all bets are off. There is no way you can prevent single-ended cables from having an artifact unless you introduced a standard and had all the cables made to meet that standard, which would probably include a low impedance termination. That in turn would likely prevent most single-ended preamps made today from supporting the standard. So yes, I can imagine all the things you listed making a difference. My point here is simply that's a bad thing- not a good thing because no matter how good your cable is now, next year, sooner or later, there will be a better example of that cable and so the cable you have now will be so much junk.
@cleeds To accomplish that theoretical 6dB lower noise per gain stage, the constant current source has to be excellent performance so it can force the actual differential amplifier to be as differential as possible. And as you say, it is not only measurable but also audible; we're on the same page- its very, very real. |
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