Anyone bought a Gryphon Diablo 333?

Moderator removed my post.  Search and you will find it easily I’m sure.

Well I'm all ears for reviews & owner impressions. I have a Boulder 866 and the Diablo 333 is quite intriguing at this point.

Yeah as I mentioned, I really can’t wait to see how Gryphon voiced it, as they are a somewhat unique brand that has a couple of different “house sounds”.  I expect it will be great performance wise and better the Diablo 300 which is what I currently have, but if they voice it slightly dark, then the chances one will end up on my rack are quite high….

I’ve just learned that Gryphon no longer has any Diablo 300’s and is not making any more.  Demand for the remaining Diablo 300’s skyrocketed when they announced the 333 earlier in the year. I expect Diablo 300’s will be sold and bought like hotcakes on the second hand market over the coming year.

I have a 300 and unless the performance were substantially better, which is hard to do given how good the 300 is, I can't see myself upgrading. I got my 300 for $18K CAD new in 2022 just before the last price increase. A new 333 in my neck of the woods is around $30K CAD. 

I imagine used 300s will soon pop up for sale as some owners upgrade, if some can be had for under $15K, they'd be a no brainer as there is no integrated you can buy new for that money that comes close IME.

@kairosman , agreed the 300 is fantastic. Love mine, which is really why I’m curious about how Gryphon could have improved it.

I see @jays_audio_lab mentioned Gryphon is sending a 333 for him to try; I am looking forward to that. Will be interesting to see if we get some community/owner accounts first. Beyond the one account in the other forum, who said that his was the first shipped to a consumer in Europe.

I agree that I don’t know of any integrated, or separates for that matter, that at an equivalent price would out perform the Diablo 300. That said, I’ve not heard the Vitus, D’Agostino, Dartzeel, and other uber-integrateds so I can’t compare. But, part of why I love the 300 is that slightly dark chocolatey tone (it’s not neutral and for me at least, better for it). It tames recordings I love that sound like trash on more neutral amps I’ve tried, giving me a far broader library of material to play in a musically engaging way. I’ve never accepted the notion that a revealing system will make poor recordings unlistenable, and the Diablo’s tone is PART of the equation that has helped me avoid compromising on this front.

This is why I am so interested in whether the 333 maintains this character.