Salk HT3, SF Cremona M, Magnepan 3.7 or ML Ethos?

Zynec,
I have owned two Ohm models in my time in this hobby, the Micro Walsh Tall and the old Ohm 100. They throw an enormous soundstage, but if pinpoint imaging is your thing, I don't know if they'd do that for you. As a pseudo-omni design, their presentation is quite different than forward radiating or bi-pole speakers. You have to hear it and decide if it floats your boat or not. In my experience, they don't provide pinpoint imaging in the same way that mini-monitors or more conventional, forward firing designs do.

Having performed in and attended many live concerts, the stable soundstage of omnis such as the Ohms and omniguide-based Mirages, plus dipoles such as the Magnepans, throw a much more realistic "live" soundstage than the pinpoint imaging of minimonitors. I'm not out to convert you, my take is that pinpoint imaging is a parlor trick of extreme point-source transducers. Fascinating, but not realistic. Some people pursue "pinpoint imaging" at the expense of overall tonal balance, soundstage, and in-room power response, which (IMO and IME) are more important and satisfying in the long run.

I paid 3.5k plus shipping for the Salk HT3s which came out to around 3.8k. It was a good deal but I think 5k is a little steep for a used pair. There are a lot of options at 5k used. Note that Salk Sound has a used pair of HT3s at their factory for 4.7k that have been for sale for quite some time. I expect he would give them to you for cheaper since they have been on the market for so long. Might be worth a call to ask them. It would be less risk to you if dealing directly with Salk. The Maggies do some things better than the HT3s. The details are better. The soundstage has more "air". But the Salks put up a good soundstage too, offer great detail as well and image better. The Salks are very neutral to to bottom. They sound far more controlled on the low end. Huge tight bass with good control. I can't imagine using a sub with them for music. In fact you will likely need some room treatment if you are in a smaller room to neutralize the low frequencies from bouncing all over the place. In comparison the Maggies struggle with low end control. They just are not very good at that (even though some Maggie owners would say differently, I find they just don't have a very good low end at all). It's about trade offs in design. The Maggies are great in a larger room, far away from the walls, with decent acoustics that minimize their flaws. They really shine if you are listening to jazz or blues, etc. They are great with vocals and details in the mid range, and are very coherent in the mid and upper frequencies. But if you listen to rock, hip hop, classical and also really like the low end control on other recordings (even jazz and blues, etc), the HT3s are far, far better on those issues. The Maggies are brighter on the upper end to my ears. Far too bright for my taste. The ribbon tweeter on the Salks is smoother and more laid back in comparison. although it sacrifices some detail retrieval to the Maggies as noted above. The Salks look quite a bit better in a room also. The Maggies are well... kind of ugly. But for the price of around 1K used, the Maggie 1.7s are a great deal for what they do well and can keep improving with high end electronics many times the price. I would put the Salks up against most speakers under 6-7K new and in the right room they would hold their own. If you can get a pair for around 4K, I think it is a good deal. I wouldn't pay much more than that.

Also, Zynec, check out the used Thiel 2.7 for 3.6-4.0K on Audiogon. I have never heard this particular Thiel but some people love this brand for soundstage and imaging characteristics. If you have a local dealer it might be worth a trip for a comparison point. You might like them and looks like a good price.

@Wardl Thanks, that is very helpful! The Thiels were on my radar originally but then I didn't pursue it any further and I have no idea why - maybe I read something discouraging. However, there is a dealer within an hour from me so hopefully I will get a chance to hear the 2.7's.

@Johhnyb53 I suppose my thinking is with electronica it seems the artist/producer can exactly place sound sources anywhere within the overall stage so for such music I don't see how pinpoint imaging can be "wrong", but maybe the Ohm's do that justice if the source warrants it?