On the subject of signal tubes...
I like the EH 6SN7, but they absolutely have a very "solid state" sound, totally lacking the tube warmth you’d expect - especially from a 6SN7. They’re a "situational" player for sure. As @immatthewj referenced, this tubes certainly has its detractors! For this very reason. A preamp that ships with a battle squadron’s worth of EH 6SN7 will either have to be voiced VERY specifically for this tube, or it will improve massively from some 6SN7 rolling - which further contributes to the tube's bad rep, no doubt.
EH 12AX7 is voiced to be quite bright, really just too damn bright - I have never found a use for them. I’m flummoxed the Herron VTPH-2A shipped with them. EH power tubes like KT88 and EL34 have a more "fun" and brash voicing; I like them but they’re not for your typical audiophile.
As for the other Russian sub-brands - Gold Lions generally have a refined smooth sound with a more traditional tube voicing, Mullards are always extra warm (with relaxed treble), and Tung-Sols generally have a great balance - good for all genres but especially for rock.
Vintage 6SN7 can be super but they’ll always measure a lot weaker (transconductance) than the modern Russian 6SN7’s (EH and Tung-Sol 6SN7GTB), so I really like the latter in driver slots. The Tung-Sol GTBs are just a little sweeter than the EH, still a far cry from the "sweetness" of a good vintage 6SN7. Vintage Tung-Sol round plate black glass 6SN7GT are super lush and sweet btw. But many vintage 6SN7GT’s also have issues with noise and microphonics, so I’m glad I only have to stick them in power amps - you’ll drive yourself crazy with these tubes in a preamp or (God forbid) phono stage.