Technics SL-1200GAE or VPI HW-40 or …?

Hello, all! Once again, I truly thank everyone for their comments and sharing of knowledge…this is what really makes this forum great.

As an update, I have purchased…and am awaiting the arrival of…a new-in-box Technics SL-1210GAE. I was lucky enough to track one down from a high-end audio retailer in CA. Pricing wasn’t too bad, either…especially considering all but one of the used GAE listings on the auction and classified sites were priced at or more than what the GAE initially launched at, and the few new in box private listings were way more than what I purchased mine at.

I plan on keeping my current belt drive ‘table (the limited edition Ortofon Century LE, which was a souped-up version of the Pro-Ject EVO with a integrated speed control, updated tonearm and the very limited Concorde Century cartridge) to “switch it up” every once in a while…but I suspect this will be extremely infrequent. Maybe it’ll be used in a second system?

Anyway…will report back once I get it up and running. Will the GAE truly give me that “this is all the turntable I’d ever really need” vibe? I’m anxious to see.

Thanks again for all the responses…Enjoy the music!

Arvin

Great choice!  I've had two VPIs (Scoutmaster and Classic) and they ultimately left me wanting for more.  I now have a Pure Fidelity Harmony and a Technics SL-1210G and both are much, much better than either VPI.  Hopefully, you didn't pay much more than $4K for the GAE--outside of the nameplate it's the same table as the G version.  You are going to enjoy the Technics!

@arvincastro Good choice. 

We used to make a turntable we called the Atma-Sphere 208. IMO it was better than the VPI in every way. More neutral, more speed stable and so on.

But I think the Technics is a better machine than our 208 so that is what I have at home. I replaced the platter pad, as that is far more important to the sound than most people realize.

You might consider doing the same- the best I've heard so far is made by Oracle. If you get it you'll have to raise the arm which is a matter of a second or two; the pad is meant to be permanently applied so you don't want to use the bolts that affix the platter to the motor else you'll never get it apart without a chisel to remove the platter pad. But it really helps the 'table to be more neutral and its easy to hear and measure.

Congrats on the choice of TT there are numerous very contented users of DD TT's that come this Production Pedigree.

 As for Mat's it is impossible to recommend a Mat for your set up, and listening environment that will work.

Clean Records are key to maintaining enjoyment, a Sticky Surface Mat will attract dust and other airborne contamination that is not as easy to keep clean as other materials, 

As regards the idea that a mat should be of the same durometer (hardness) as an LP, one ought to keep in mind that that strategy is a two way street. Rumble or any other noise that can emanate from the bearing or motor can be transmitted into the LP by the same route. So, if you adopt the principle that the mat ought to transmit energy into the platter (I don't disagree), you then have to worry about isolating the bearing and any other sources of noise, like even that which can be transmitted by the belt from the outboard motor pulley of a BD, from the platter and mat. Denon paid some attention to this issue in their higher end DD turntables, back in the 80s.