A listening test of two power amps

Thank you very much budjoe for taking the time to listen to the recordings and for the detailed account. Yes, it’s a very good point about environmental sound affecting the recording and the listener’s ability to distinguish between the two. There was perhaps a bit more wind in the first recording too along with those angry birds at the end. I think the Tascam and the valve mic had been on for over half an hour and the second test was done shortly after the first. So probably not much of an imbalance there. But good point, also.

jji666. I agree!

Thanks too, erik_squires. I think it’s a great idea to do this test bi-passing the speakers and consequently any unwanted ambient noise and irregular room interactions. I’m hoping I can do this later today or on Wednesday. I’ll likely do the recording at the amp end of the speaker wire. Some recent surgical work has left me a bit shy of shifting equipment!

Back with a new test as per erik_squires’s suggestion

This time the tannoys high and low frequency terminals were jumper-ed and there was no bi-amping or bi-wiring done.

Three recordings were made of three pieces of music with two amps. One amp has two speaker out options, so that’s why there’s three recordings. The three amp configurations are name "j", "y" and "p". The three recordings are of a sparse piano track with a change in dynamic in the middle: "piano". A samba jazz trio: "trio". And a voice with orchestra track (great production but the master recording could be better, i think): "voice". So the 9 edited recordings are:

https://escuta.org/webtmp/j-trio.flac

https://escuta.org/webtmp/y-trio.flac

https://escuta.org/webtmp/p-trio.flac

https://escuta.org/webtmp/j-piano.flac

https://escuta.org/webtmp/y-piano.flac

https://escuta.org/webtmp/p-piano.flac

https://escuta.org/webtmp/j-voice.flac

https://escuta.org/webtmp/y-voice.flac

https://escuta.org/webtmp/p-voice.flac

Steps.

1. A 60Hz sine tone was recorded at approximately -1.0dB

2. The tone was played with each amp setup with the voltage of the amp adjusted with the preamp to measure 0.5V. Fine adjustments of the voltage were made with the volume control of the digital source (Logitech Media Server)

3. For each amp, the three musics were played at the adjusted amplitude.

4. Recordings were made at 48kHz with a Behringer UCA222 interface on a laptop running the DAW Ardour.

5. Nine edited ecordings exported as 48kHz 24bit Flac files.

If anyone has time to listen and give some feedback, please do!

Listening to these now, I think I’ve found an unpleasant problem and not just a difference, in one of the amps....

The problem is in the recordings j-piano.flac and y-piano.flac which are recordings of the Sunfire’s "Voltage source" and "Current source" speaker outs respectively. The piano, in its quieter passages, produces a distinct distortion, especially on certain notes. The recording p-piano.flac, that of the Quad 303, produces no such distortion.

I have a theory on what the problem is:

The Sunfire’s speaker outputs produce a low level, but audible on headphones, 60Hz hum (or a harmonic of 60Hz). The Quad, while perhaps more noisy (with hiss) has no 60Hz tone. I tested both the Sunfire’s unbalanced inputs with the Quad 34 preamp and the balanced inputs with the sound coming from a mixing desk. Both produce the hum and the amp produces a hum even with no inputs connected and with the laptop, that’s monitoring the terminals, running on batteries. I’ve tried disconnecting the Sunfire’s earth and reversing the pins, but the hum is unchanged.

My theory is that when the piano is played softly, certain notes seem to interact with the 60Hz hum, producing what seems like distortion, so if the hum can be removed, perhaps that distortion will disappear.

Is some kind of a mains filter likely to solve the problem or is there something that can be done to the Sunfire to make it less susceptible to this 60Hz hum?

And yes, I do hear the distortion through the speakers. I had noticed this sound before on occasions, but since I was using the Sunfire in my studio, I always suspected the speakers (a pair of JBL 4312A monitors), which have had a long hard life.

Listened to all nine as originally provided, and with a modification (more on that later).

In general across the 3 different versions of each I liked j the most, y second, and p the least. Differences are slight. I like the attack on j and y the best, and think that p tends to round the sound off more; both on the attack and the decay. Most differences showed up in the trio recordings where the lead guitar has a much more natural sound to me. The plucking of the strings and the resonance of them is better and more natural. Also most noticeable in the voice where her voice cracks in the beginning at ”and you know darn well”.

Had a hard time telling much difference in the piano samples except that once again I felt the p was more rounded. That is the only way I know how to describe it. Bass was also very hard to tell across all samples. You may need someone with better sense of piano and bass to hear the differences in those samples.

Here is the more later.

I loaded all the samples in an app that lets me analyze the waveform, and also see there that the j and y samples are very close to each other, and the p ends up being pretty close to 1 dB lower in both average RMS, max RMS, and peak amplitude. across all samples. Within that app I normalized all the samples. Used -3.0 dB peak for the voice and piano and -0.3 dB peak for the trio as that was the max peak in the originals.

I played both the normalized and originals thru 2 different playback apps and my observations hold across both the original and normalized thru both apps.

If you want the full analysis values from the originals and the normalized files, I will send them in a direct message. Let me know.