300b lovers


I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix

Acrosound UL-II schematic. Note the input 12AX7 is direct-coupled to the 12AU7 driver stage, so DC drift from internal 12AX7 mismatch could be a problem.

Technical analysis: The input signal goes to the top half of the 12AX7. The bottom half is connected to the feedback signal, which comes from a dedicated winding on the output transformer. The feedback summation occurs across the paired cathodes of the 12AX7. The plates of the 12AX7 are direct-connected to the grids of the 12AU7 driver.

There is a HF phase-adjust circuit from the 100 pF cap in series with the 47K resistor. This improves the stability of the feedback system. The 12AU7 driver has a 5K 5W current-balancing pot in the cathode circuit, most likely to correct for any DC imbalance of the 12AX7. I suspect the 300p marking of the bypass caps on the 12AU7 is in error. This should be 2 to 10uF, whichever gives the best square-wave response.

Similarly, there is a DC balance pot in the Bias 1 grid circuit of the EL34 output tubes. The 4.7 ohm series resistor in the cathode of each EL34 is there to meter current, which is adjusted by the 5K pot. Although not drawn, there would be test points for each cathode to ensure the correct bias point.

Although not marked as such, this is a fixed-bias output section set up for Class AB (high power) operation. Correct bias setting for each EL34 is essential for long tube life.

Just to confirm, the Raven and Blackbird do NOT use the Acrosound circuit shown above. The signal path is considerably simpler.

Thank you @lynn_olson ​​@donsachs ​​​​@atmasphere

for your advice and answers to my question that helped me to build the 300B SET amplifier.

https://photos.app.goo.gl/4LUJVLJ3LuuW32yE7

The amplifier sounds realy good - fast, transparent with deep controled bass, PRAT and realistic tone of instruments.

 

Hi @lynn_olson

The driver tubes are 6f6 in thriode mode. 6f6 are Torvac brand (probably made by Mulard).