I am not seeking a route away from a SUT.
My assessments to date have kept me close to them as a device to be used with a LOMC.
Most recently the very analytical assessing has been carried out on same support > same Plinth > same TT >same TA+Heads he'll, with same and similar Cart's from the same Brand.
Experiences are had with SS, Valve Hybrid, Valve Input/Valve Output, SUT's, or Head Amp.
One SS MC Input/ MM Input Phon used, is one I am seriously considering owning. I Struggle to see where there is wrong, as I can contentedly listen to a MC Input without any concern, on the Phon's used, The end sound is fine and living with it for an extended period, is a welcome experience.
Put a particular design for an SUT or Head Amp into the 0 and I find it hard to wish for anything different.
I have from an audible experience no issue with the recent description a distortion is introduced, of which to a certain individual is an attraction.
From an audible experience based on my ability to detect information extracted from the Groove, the options I have around me to use as Phonostages are all seemingly with a Parity for being Spacious and Detailed.
I would say the SUT has the edge on creating the perception of being Involving and wanted to be maintained in use.
My Perceptions of how an analytical period of listening impacts om me as an individual with unique preferences for an end sound.