Equalizer in a Hi Fi system

Yeah but notice I’m not slamming or poo pooing DSP. I am simply speaking to how beautiful the right analog implementation sounds. Your talk about my experience condescending though. Again, I was impressed by BACCH and am open to hearing the manner of DSP you implement. Again, don’t conflate tone adjustment (broad) with room correction (narrow). My only point here is to get Loki users to try pro analog. You do you. I’ll do me. 

You confuse passionate as arrogance. I have yet to meet a DSP advocate as passionate here as I’ve been. That should tell you something. But I’ll admit I’ve only done some bass and treble shelf boosts and compared them instantaneous A-B to my analog piece and all the digital implementations were sonically inferior. Flat 2-D lifeless. Not unlike how people compare solid state to the holographism of tubes. But listen, hey, I admit I haven’t heard the best DSP has to offer. But I want to. 

And I do read about shootouts on Gearspace with mastering engineers comparing the best plug-in digital emulations of classic analog designs, eg Knif Soma or SPL PQ, and they say similar to my observations on my own system but with a smaller margin of difference. But mastering is broad stroke. DSP great for narrow filter in mixing. I am quite sure if you don’t have a Luxman amp with tone controls and you want to adjust tone for differing recordings in your hi fi system that analog is a better chance at retaining the hi fi characteristics of the straight signal. I have no doubts though that the best digital will eventually eclipse analog for adjusting tone. Technology marches on. Look at AI. It’s inevitable. 

My guy locally says even the best DSP for room correction leaves a slight haze and grain to the mids. I want to hear on my own though. 

Sorry so excessive here. Again just my passion coming out. Let’s just leave it at I need to hear what you’re doing and you need to hear what I’m doing. Fair enough?